Used for varnishing oil paintings where a softer touch is required to achieve an antiquing effect. A good blender for texture and depth. Mainly used for blending paint into an even and smooth coat. Also can be used to create striations - a glass painters 'must have'. ...More info.
With a long visible length of hair and a flat end, this brush is ideal with oil colour for softening or blending. Used in glasswork for 'kissing' the colour and ceramics for feathering, marbling and tonal work. ...More info.
Typically used for oil painting, badger hair is coarse yet soft making it ideal for stippling and texture work. Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for blending. ...More info.
Fine mix of coarse yet soft hair for stippling and texture work. ...More info.
Rosemary & Co Deerfoot Stippler uses both soft and medium stiffness badger hair to enable a stipple effect, with a little goat hair to help hold the paint. Popular amongst watercolourists to create trees, grasses, foliage and furs. ...More info.
A beautiful brush particularly for water colour and thinned down acrylic. Squirrel mixed with a little magic – carries a good amount of fluid allowing plenty of flow. A flick of the brush will create many different marks as shown. Sometimes referred to as a ‘Pyramid’ brush. ...More info.
The soft delicate tips are ideal for blending and softening in oils. Will lay on a watercolour wash quickly when a large area needs to be covered. Also decorative techniques eg Marbling and wood graining. ...More info.
Coarse hair mix designed to be loaded with colour and splay open. Texture made easy! ...More info.
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