A new line of Eclipse Extra Long Combers available in 6 popular sizes. Ideal for the oil artist who likes a sharp edge and to build layers. These brushes taper to a fine line turned sideways. For those who loved the 'old' style mongoose long flats, you will love these.
"Eclipse X-Long Comber brush is sturdy enough to push and apply paint to a specific area, and is soft enough, similar to the Ivory brand, to blend edges. The hairs form a precise sharp point to place the paint exactly where I want it. I love it!
My career as a painter ...More info.
With it's soft round edges filberts are particularly effective for blending oil and popular with Figurative Artists. The name "filbert" derives from the shape it resembles - a hazelnut.
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The Evergreen Long Flat allows for a precise chiseled edge, yet is a softer synthetic which makes a more delicate mark than an Ivory Long Flat. The longer hair results in a loose brush stroke with less "snap" than an Evergreen Short Flat. A welcome addition to any oil or acrylic artists' brush collection.
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The Evergreen Short Flat allows for a sharper and more precise edge than the Evergreen Long Flat, yet is a softer synthetic which makes a more delicate mark than an Ivory Short Flat. The short hair allows for more control, which is ideal for blocking in and impasto work, compared to that of the Long Flat. A welcome addition to any oil or acrylic artists' brush collection.
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This new range of Rosemary & Co Impasto brushes will allow for the technique of laying on paint or pigment thickly so it will stand out from the surface. The Ivory synthetics are easy to clean, durable, hard wearing and will allow for thick paint application. They are made on the beaver tail handle, which is easy to hold and control.
"My work is a play between realism and abstraction, and focuses on the human face. I usually work with big canvases, thick oil and bold brush-strokes. Throughout the years of painting I have t...More info.
A synthetic badger glazing brush ideal for glazing and/or varnishing.
A full bodied brush enabling you to load with a lot of medium, when worked edge on this brush will 'dab' or 'stipple'. The feeling of the brush is in between the stiffness of hog and the softness of sable. It has a good spring, is hard wearing and easy to clean.
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By popular demand the beauty of this shape allows a fine line (without the tremble sometimes associated with a rigger) and amazing effects when twisted side to side.
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A new addition to our blended range. A useful brush, the dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush 'twisted' through the stroke you can see oriental grass appear as well as petals. Great too in oils when a sharp edge is required and/or fine lines for example, hair in portraiture. The smaller 1/4" size is also available as a pocket brush.
Image courtesy of Suhita Shirodkar, visit Suhita's blog: SketchAway.wordpress.org
Read more about the Series 772. Sable Blen...More info.
Large 4” flat wash brush – ideal for varnishing, glazing, background work. Can be used with any medium – if Oil or Acrylic then thin down a little.Great for large water colour ‘wash’ applications. This brush allows you to cover larger areas quickly. Has the snap and spring of high quality taklon ( nylon ) and comes to a chisel sharp edge so can paint line work also.
9” flat long red handle with a gold effect tip and incorporating a hanging drilled hole plus cupro nickel ferrule and brush head making a total length of 12”. Manu...More info.
A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or miscalculation.
Instructions for use:
1. Use the brush when barely damp, not wet.
2. Hold in a nearly vertical orientation and drag gently, but firmly back and forth along its' long edge. (see photo)
3. Upon first noting the removal of paint, immediately dab the brush several times on a towel (paper, etc) and recommence "erasing".
4. Rinse after 2 - 3 "erasures", dab to remove excess wetness and c...More info.
Our brand new range for Dec 2015 of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labour intensive this gives the artist a hard wearing brush which keeps its shape for a very long time. Easy to clean and a good performer.
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