Commonly called 'Nylon', Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. Widely used for painting rigging on ships, as the name implies. Ideal for longer lines holding colour to flow through the stroke. ...More info.
Introducing our new range of pointed cat's tongues / filberts. These are made with a good 'body' and a silhouette of extruded nylon reaching out longer to allow flow and precision. If you want a filbert that points, look no further. ideal for any medium and we know will be popular for fine lines ( when worked on edge), petal shapes when pressure applied making these a lovely botanical bru...More info.
Firm medium length offering fine point. Specially shaped triangular ferrule allows the Nylon to taper together to form a good point. A must have for botanical artists when pressed to the paper creates a stunning petal mark. ...More info.
Having listened to renowned watercolourist Sandra Strohschein we have created a beautiful extended point brush. This acts as a rigger but with a reservoir 'belly' to enable the retention of a good volume of liquid thus allowing painting for a long time without the need to 're-load' the brush. The body of the brush is made from a squirrel/sable blend, while the needle point is synthetic. We ...More info.
Commonly called 'Nylon', Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. A longer version of the standard pointed round brush. Tapered to a fine point. A favourite of botanical artists. ...More info.
A mixture of sable and synthetic mixed together to perhaps offer the best of both worlds. The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. ...More info.
A blend of sable and synthetic mixed together to perhaps offer the best of both worlds. Tapered to a much longer and finer point allowing the artist to ‘draw’ with a brush. Ideal for general watercolour work as well as botanical. Hard wearing for oils / acrylics. ...More info.
A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. The oval end can be used to both make sweeping strokes but also fine lines when held vertically. ...More info.
A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. This special "duster" has longer bristles than an average blender for greater flexibility. ...More info.
A synthetic badger glazing brush ideal for glazing and/or varnishing. A full bodied brush enabling you to load with a lot of medium, when worked edge on this brush will 'dab' or 'stipple'. The feeling of the brush is in between the stiffness of hog and the softness of sable. It has a good spring, is hard wearing and easy to clean. Please note beaver tail handle...More info.
Used extensively by signwriters and yet popular with watercolourists when a firm stroke is required. Sable blended with ox hair. ...More info.
Fashioned on a beaver tail handle for added comfort this 1" is a firm favourite. Please note beaver tail handle length: 1" - approx 5 3/4" 1 1/2" - approx 6 1/2" 2" - approx 6 1/2" ...More info.
A mixture of sable and synthetic mixed together to perhaps offer the best of both worlds. Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and impasto. ...More info.
A longer length of brush head offering a good amount of liquid retention. Ideal for larger washes in watercolour and architectural drawings. ...More info.
By popular demand the beauty of this shape allows a fine line (without the tremble sometimes associated with a rigger) and amazing effects when twisted side to side. ...More info.
A mixture of sable and synthetic mixed together to perhaps offer the best of both worlds. The rigger shape is similar to a round but with much longer hair, also referred to as a "script" brush. ...More info.
A new addition to our blended range. A useful brush, the dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush 'twisted' through the stroke you can see oriental grass appear as well as petals. Great too in oils when a sharp edge is required and/or fine lines for example, hair in portraiture. The smaller 1/4" size is also available as a poc...More info.
Large 4” flat wash brush – ideal for varnishing, glazing, background work. Can be used with any medium – if Oil or Acrylic then thin down a little.Great for large water colour ‘wash’ applications. This brush allows you to cover larger areas quickly. Has the snap and spring of high quality taklon ( nylon ) and comes to a chisel sharp edge so can paint line work also. 9” flat long ...More info.
A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or miscalculation. Instructions for use: 1. Use the brush when barely damp, not wet. 2. Hold in a nearly vertical orientation and drag gently, but firmly back and forth along its' long edge. (see photo) 3. Upon first noting the removal of paint, immediately dab...More info.
Our Ultimate' range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush...More info.
Showing 61 to 80 of 124 (7 Pages)