"I paint a wide variety of subjects that require different technical approaches, therefore, I need a wide range of brushes that will allow me to create an engaging sense of reality across many genres. Rosemary and Co make the best brushes out there. I choose these brushes for their reliability and absolute quality" Andrew Tischler, 2018. ...More info.
A new line of Eclipse Extra Long Combers available in 6 popular sizes. Ideal for the oil artist who likes a sharp edge and to build layers. These brushes taper to a fine line turned sideways. For those who loved the 'old' style mongoose long flats, you will love these. "Eclipse X-Long Comber brush is sturdy enough to push and apply paint to a specific area, and is soft enough, similar to th...More info.
The Eclipse Long Flats are a new addition to this range, by popular demand. They have a lovely snap, yet are still delicate enough for alla prima, wet on wet techniques. They do not pull the paint off allowing layer upon layer in oils and acrylics. *Long Handle Only* ...More info.
With it's soft round edges filberts are particularly effective for blending oil and popular with Figurative Artists. The name "filbert" derives from the shape it resembles - a hazelnut. ...More info.
The Evergreen Short Flat allows for a sharper and more precise edge than the Evergreen Long Flat, yet is a softer synthetic which makes a more delicate mark than an Ivory Short Flat. The short hair allows for more control, which is ideal for blocking in and impasto work, compared to that of the Long Flat. A welcome addition to any oil or acrylic artists' brush collection. Please n...More info.
It seems a long time ago I created the 'Ivory' range of brushes, Artists wanted an oil brush that retained it's shape, had just enough spring and were easy to clean..... oh and they had to last ! Fast forward to now and I thought we had made every shape and size needed BUT there's always one... and his name is Quang Ho. He wanted a brush to achieve fine shapes in his work. 'I think these ...More info.
This new range of Rosemary & Co Impasto brushes will allow for the technique of laying on paint or pigment thickly so it will stand out from the surface. The Ivory synthetics are easy to clean, durable, hard wearing and will allow for thick paint application. They are made on the beaver tail handle, which is easy to hold and control. "My work is a play between realism and abs...More info.
Michael Klein is part of a group of American artists leading the revival of representational painting hearkrning back to the Renaissance and French Academic traditions. '"Everyone has learned after testing Rosemary and Co's brushes that they are simply the best handmade brushes on the market.'' Please visit Michael's website by clicking here. ...More info.
A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more control. The Mundy Mops clean easily and will soon become a favorite to your Oil brush range. Available individually in 5 different sizes, or as a set. The Mundy Mops are available with both short and l...More info.
Our new range of extra long filberts offers the oil artist a naturally curved and interlocked top quality 'Chungking Bristle' brush.Our bristle has been hand selected for deep flagged tips enabling the paint to soak and carry superbly saving the artist time to constantly re-load.Handmade to our usual high standards with rust free cupro nickel ferrules and mounted on a beautiful hard wood handle...More info.
A synthetic badger glazing brush ideal for glazing and/or varnishing. A full bodied brush enabling you to load with a lot of medium, when worked edge on this brush will 'dab' or 'stipple'. The feeling of the brush is in between the stiffness of hog and the softness of sable. It has a good spring, is hard wearing and easy to clean. Please note beaver tail handle...More info.
A new addition to our blended range. A useful brush, the dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush 'twisted' through the stroke you can see oriental grass appear as well as petals. Great too in oils when a sharp edge is required and/or fine lines for example, hair in portraiture. The smaller 1/4" size is also available as a poc...More info.
Large 4” flat wash brush – ideal for varnishing, glazing, background work. Can be used with any medium – if Oil or Acrylic then thin down a little.Great for large water colour ‘wash’ applications. This brush allows you to cover larger areas quickly. Has the snap and spring of high quality taklon ( nylon ) and comes to a chisel sharp edge so can paint line work also. 9” flat long ...More info.
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