A new line of Eclipse Extra Long Combers available in 6 popular sizes. Ideal for the oil artist who likes a sharp edge and to build layers. These brushes taper to a fine line turned sideways. For those who loved the 'old' style mongoose long flats, you will love these.
"Eclipse X-Long Comber brush is sturdy enough to push and apply paint to a specific area, and is soft enough, similar to th...More info.
The Eclipse Long Flats are a new addition to this range, by popular demand. They have a lovely snap, yet are still delicate enough for alla prima, wet on wet techniques. They do not pull the paint off allowing layer upon layer in oils and acrylics.
*Long Handle Only*
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With it's soft round edges filberts are particularly effective for blending oil and popular with Figurative Artists. The name "filbert" derives from the shape it resembles - a hazelnut.
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The Evergreen Long Flat allows for a precise chiseled edge, yet is a softer synthetic which makes a more delicate mark than an Ivory Long Flat. The longer hair results in a loose brush stroke with less "snap" than an Evergreen Short Flat. A welcome addition to any oil or acrylic artists' brush collection.
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The Evergreen Short Flat allows for a sharper and more precise edge than the Evergreen Long Flat, yet is a softer synthetic which makes a more delicate mark than an Ivory Short Flat. The short hair allows for more control, which is ideal for blocking in and impasto work, compared to that of the Long Flat. A welcome addition to any oil or acrylic artists' brush collection.
Please n...More info.
This new range of Rosemary & Co Impasto brushes will allow for the technique of laying on paint or pigment thickly so it will stand out from the surface. The Ivory synthetics are easy to clean, durable, hard wearing and will allow for thick paint application. They are made on the beaver tail handle, which is easy to hold and control.
"My work is a play between realism and abs...More info.
A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more control. The Mundy Mops clean easily and will soon become a favorite to your Oil brush range.
Available individually in 5 different sizes, or as a set. The Mundy Mops are available with both short and l...More info.
Our new range of extra long filberts offers the oil artist a naturally curved and interlocked top quality 'Chungking Bristle' brush.Our bristle has been hand selected for deep flagged tips enabling the paint to soak and carry superbly saving the artist time to constantly re-load.Handmade to our usual high standards with rust free cupro nickel ferrules and mounted on a beautiful hard wood handle...More info.
A synthetic badger glazing brush ideal for glazing and/or varnishing.
A full bodied brush enabling you to load with a lot of medium, when worked edge on this brush will 'dab' or 'stipple'. The feeling of the brush is in between the stiffness of hog and the softness of sable. It has a good spring, is hard wearing and easy to clean.
Please note beaver tail handle...More info.
Large 4” flat wash brush – ideal for varnishing, glazing, background work. Can be used with any medium – if Oil or Acrylic then thin down a little.Great for large water colour ‘wash’ applications. This brush allows you to cover larger areas quickly. Has the snap and spring of high quality taklon ( nylon ) and comes to a chisel sharp edge so can paint line work also.
9” flat long ...More info.
I’ve designed this new range to be an inexpensive blending brush. The Smooshing Brush is made from a blend of different grades of badger hair.
I’ve packed the hairs into the ferrule really tightly to create a dense brush, which will be firm to the touch, but still flexible. The beauty of the domed shape allows for a multitude of brush strokes.
Sometimes known as a smudger, a tinter or a...More info.
Our Ultimate' range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush...More info.
Our Ultimate' range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush...More info.
