A new line of Eclipse Extra Long Combers available in 6 popular sizes. Ideal for the oil artist who likes a sharp edge and to build layers. These brushes taper to a fine line turned sideways. For those who loved the 'old' style mongoose long flats, you will love these.
"Eclipse X-Long Comber brush is sturdy enough to push and apply paint to a specific area, and is soft enough, similar to the Ivory brand, to blend edges. The hairs form a precise sharp point to place the paint exactly where I want it. I love it!
My career as a painter ...More info.
With it's soft round edges filberts are particularly effective for blending oil and popular with Figurative Artists. The name "filbert" derives from the shape it resembles - a hazelnut.
...More info.
The Evergreen Long Flat allows for a precise chiseled edge, yet is a softer synthetic which makes a more delicate mark than an Ivory Long Flat. The longer hair results in a loose brush stroke with less "snap" than an Evergreen Short Flat. A welcome addition to any oil or acrylic artists' brush collection.
...More info.
The Evergreen Short Flat allows for a sharper and more precise edge than the Evergreen Long Flat, yet is a softer synthetic which makes a more delicate mark than an Ivory Short Flat. The short hair allows for more control, which is ideal for blocking in and impasto work, compared to that of the Long Flat. A welcome addition to any oil or acrylic artists' brush collection.
...More info.
This new range of Rosemary & Co Impasto brushes will allow for the technique of laying on paint or pigment thickly so it will stand out from the surface. The Ivory synthetics are easy to clean, durable, hard wearing and will allow for thick paint application. They are made on the beaver tail handle, which is easy to hold and control.
"My work is a play between realism and abstraction, and focuses on the human face. I usually work with big canvases, thick oil and bold brush-strokes. Throughout the years of painting I have t...More info.
A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more control. The Mundy Mops clean easily and will soon become a favourite to your Oil brush range.
Available individually in 5 different sizes, or as a set. The Mundy Mops are currently only available on our Short handles (7 inches).
Photo credit C.W Mundy. For more information please visit CW's website.
To view the set of 5 Mundy Mops, please cl...More info.
A synthetic badger glazing brush ideal for glazing and/or varnishing.
A full bodied brush enabling you to load with a lot of medium, when worked edge on this brush will 'dab' or 'stipple'. The feeling of the brush is in between the stiffness of hog and the softness of sable. It has a good spring, is hard wearing and easy to clean.
...More info.
Large 4” flat wash brush – ideal for varnishing, glazing, background work. Can be used with any medium – if Oil or Acrylic then thin down a little.Great for large water colour ‘wash’ applications. This brush allows you to cover larger areas quickly. Has the snap and spring of high quality taklon ( nylon ) and comes to a chisel sharp edge so can paint line work also.
9” flat long red handle with a gold effect tip and incorporating a hanging drilled hole plus cupro nickel ferrule and brush head making a total length of 12”. Manu...More info.
I’ve designed this new range to be an inexpensive blending brush. The Smooshing Brush is made from a blend of different grades of badger hair.
I’ve packed the hairs into the ferrule really tightly to create a dense brush, which will be firm to the touch, but still flexible. The beauty of the domed shape allows for a multitude of brush strokes.
Sometimes known as a smudger, a tinter or a blender, this versatile brush can be used in all mediums and is available in sizes small, medium and large. In decorative painting, you would tend to...More info.
Our brand new range for Dec 2015 of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labour intensive this gives the artist a hard wearing brush which keeps its shape for a very long time. Easy to clean and a good performer.
...More info.
Our brand new range for Dec 2015 of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards .The bristle is selected in length and size to enable perfect balance. Although labour intensive this gives the artist a hard wearing brush which keeps its shape for a very long time. Easy to clean and a good performer.
...More info.
Our brand new range for Dec 2015 of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labour intensive this gives the artist a hard wearing brush which keeps its shape for a very long time. Easy to clean and a good performer.
...More info.
