Made with the same hair as the Masters Choice, a badger blend - the new limited edition spotter was made as a test by one of our brush makers.
This is a medium size - similiar to the width of the size 8 from the Series 272 - but of course a much shorter length of hair.
Try one and let us know what you think!
...More info.
Oppps!
This is not a Medium Size, nor is it a Large - it's an inbetween!
Only available on the long handle.
We made these by mistake - when they are gone, they are gone!
...More info.
"I paint a wide variety of subjects that require different technical approaches, therefore, I need a wide range of brushes that will allow me to create an engaging sense of reality across many genres. Rosemary and Co make the best brushes out there. I choose these brushes for their reliability and absolute quality" Andrew Tischler, 2018.
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The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle.
"I love these short filberts because they are so versatile. From large passages to detail work—including a crisp line using the edge—the shorter length gives me a measure of control that is greater than what I can achieve with a long filbert. The synthetic filament is stiffer than...More info.
With it's soft round edges filberts are particularly effective for blending oil and popular with Figurative Artists. The name "filbert" derives from the shape it resembles - a hazelnut.
We are currently out of stock on the sizes 2, 4 and 6. Why not look at the Evergreen Long Filberts instead?
...More info.
It seems a long time ago I created the 'Ivory' range of brushes, Artists wanted an oil brush that retained it's shape, had just enough spring and were easy to clean..... oh and they had to last ! Fast forward to now and I thought we had made every shape and size needed BUT there's always one... and his name is Quang Ho. He wanted a brush to achieve fine shapes in his work. 'I think these ...More info.
The Ivory Range are 100% Synthetic, Vegan Friendly.
This new range of Rosemary & Co Impasto brushes will allow for the technique of laying on paint or pigment thickly so it will stand out from the surface. The Ivory synthetics are easy to clean, durable, hard wearing and will allow for thick paint application. They are made on the beaver tail handle, which is easy to hold and...More info.
A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more control. The Mundy Mops clean easily and will soon become a favorite to your Oil brush range.
Available individually in 5 different sizes, or as a set. The Mundy Mops are available with both short and l...More info.
Our new range of extra long filberts offers the oil artist a naturally curved and interlocked top quality 'Chungking Bristle' brush.Our bristle has been hand selected for deep flagged tips enabling the paint to soak and carry superbly saving the artist time to constantly re-load.Handmade to our usual high standards with rust free cupro nickel ferrules and mounted on a beautiful hard wood handle...More info.
Commonly called 'Nylon', Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. They are 100% Vegan Friendly.
The head on the Series 314's are short and formed at an acute angle offering easy control. When they are loaded with two colours can create fabulous marks.
This brush is a shorter version of the popular Series 310. Golden Sy...More info.
A synthetic badger glazing brush ideal for glazing and/or varnishing.
A full bodied brush enabling you to load with a lot of medium, when worked edge on this brush will 'dab' or 'stipple'. The feeling of the brush is in between the stiffness of hog and the softness of sable. It has a good spring, is hard wearing and easy to clean.
Please note beaver tail handle...More info.
A new addition to our blended range. A useful brush, the dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush 'twisted' through the stroke you can see oriental grass appear as well as petals. Great too in oils when a sharp edge is required and/or fine lines for example, hair in portraiture. The smaller 1/4" size is also available as a poc...More info.
I’ve designed this new range to be an inexpensive blending brush. The Smooshing Brush is made from a blend of different grades of badger hair.
I’ve packed the hairs into the ferrule really tightly to create a dense brush, which will be firm to the touch, but still flexible. The beauty of the domed shape allows for a multitude of brush strokes.
Sometimes known as a smudger, a tinter or a...More info.
Our Ultimate' range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush...More info.
Our Ultimate' range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush...More info.
Our Ultimate' range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush...More info.
Our Ultimate' range of interlocked bristle brushes offer the artist a traditional brush but with double the interlock. We take two equal amounts of best quality Chinese bristle and set them opposite each other so that the natural curve is facing inwards. The bristle is selected in length and size to enable perfect balance. Although labor intensive this gives the artist a hard wearing brush...More info.
"In the age of big brush strokes and texture on smooth linen surfaces, this bristle brush excels at what is known as the “dab and smear” technique on medium texture linen such as Friedick’s Oil Primed Linen Panels.
When too much paint has been distributed on the surface and then a fan brush has been used over the painted area, the fan brush can smear all the work and lower the intensity of...More info.
