A beautiful new range of golden taklon (nylon) with plenty of spring and a good sharp point. Popular for precision work and having a two colour handle. Only available up to size 4 at present. Launched spring 2013 at an introductory price - why not grab a bargain? ...More info.
Commonly called 'Nylon', Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. Widely used for painting rigging on ships, as the name implies. Ideal for longer lines holding colour to flow through the stroke. ...More info.
Firm medium length offering fine point. Specially shaped triangular ferrule allows the Nylon to taper together to form a good point. A must have for botanical artists when pressed to the paper creates a stunning petal mark. ...More info.
Having listened to renowned watercolourist Sandra Strohschein we have created a beautiful extended point brush. This acts as a rigger but with a reservoir 'belly' to enable the retention of a good volume of liquid thus allowing painting for a long time without the need to 're-load' the brush. The body of the brush is made from a squirrel/sable blend, while the needle point is synthetic. We ...More info.
Commonly called 'Nylon', Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. A longer version of the standard pointed round brush. Tapered to a fine point. A favourite of botanical artists. ...More info.
A beautiful Badger Fan – this brush is designed specifically for oil painters and more so oil painters who want a full bodied fan. Another handmade addition to our ranges and by special request from artists seeking to replicate brushes the 'old masters' would have used for blending, glazing, stippling and when a fully packed brush is required to carry a good amount of colour when loaded, or dus...More info.
A mixture of sable and synthetic mixed together to perhaps offer the best of both worlds. The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. ...More info.
A blend of sable and synthetic mixed together to perhaps offer the best of both worlds. Tapered to a much longer and finer point allowing the artist to ‘draw’ with a brush. Ideal for general watercolour work as well as botanical. Hard wearing for oils / acrylics. ...More info.
Hog bristle packed into tufts creating a dense yet soft brush. Ideal for oils to soften, watercolour to wash large areas and special decorative techniques e.g. Marbling. ...More info.
Typically used for oil painting, badger hair is coarse yet soft making it ideal for stippling and texture work. Traditionally used to soften and blend oil paint on the canvas. This range will enable you to make many different special effects and give control. Also has an immense carrying capacity. Ideal for French polishing. Please note beaver tail handle length: 1" - approx 5 3/4...More info.
The soft delicate tips are ideal for blending and softening in oils. Will lay on a watercolour wash quickly when a large area needs to be covered. Also decorative techniques eg Marbling and wood graining. ...More info.
The Red Sable Extended points, sometimes called a reservoir brush because of its capability to hold an immense amount of water. The centre made from pure sable which acts as a precise rigger with the squirrel hair on the outer. Popular with many watercolour artists who may struggle with a normal rigger, the bulbous squirrel allows for more stability. The reservoir brushes have also proved ...More info.
A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. The oval end can be used to both make sweeping strokes but also fine lines when held vertically. ...More info.
A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. This special "duster" has longer bristles than an average blender for greater flexibility. ...More info.
Stiff White Nylon tightly packed into the ferrule. Used for antiquing, cleaning off overspray, crazing, stippling, dry brushing and fabric painting. Excellent for wiping out watercolour. ...More info.
Stiff White Nylon tightly packed into the ferrule. Used for antiquing, cleaning off overspray, crazing, stippling, dry brushing and fabric painting. Excellent for wiping out watercolour. A shorter version of the flats for greater control. ...More info.
A synthetic badger glazing brush ideal for glazing and/or varnishing. A full bodied brush enabling you to load with a lot of medium, when worked edge on this brush will 'dab' or 'stipple'. The feeling of the brush is in between the stiffness of hog and the softness of sable. It has a good spring, is hard wearing and easy to clean. Please note beaver tail handle...More info.
Used extensively by signwriters and yet popular with watercolourists when a firm stroke is required. Sable blended with ox hair. ...More info.
These flat chisel shaped brush also known as a 'one stroke', simply because you can achieve your mark in one stroke. Ideal for a gradual wash in watercolour, with a sharp chisel edge allowing the brush to work on it’s tip and fashion a good line. ...More info.
The Pure Sable Filbert will come to a beautiful point when wet enabling strokes from the point, side edge or flat side of the brush. Perfect for skies and clouds, foliage and general washes. A very useful addition to your watercolour collection. ...More info.
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