The soft delicate tips are ideal for blending and softening in oils. Will lay on a watercolour wash quickly when a large area needs to be covered. Also decorative techniques eg Marbling and wood graining. ...More info.
The Red Sable Extended points, sometimes called a reservoir brush because of its capability to hold an immense amount of water. The centre made from pure sable which acts as a precise rigger with the squirrel hair on the outer. Popular with many watercolour artists who may struggle with a normal rigger, the bulbous squirrel allows for more stability. The reservoir brushes have also proved ...More info.
A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. The oval end can be used to both make sweeping strokes but also fine lines when held vertically. ...More info.
A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. This special "duster" has longer bristles than an average blender for greater flexibility. ...More info.
Stiff White Nylon tightly packed into the ferrule. Used for antiquing, cleaning off overspray, crazing, stippling, dry brushing and fabric painting. Excellent for wiping out watercolour. ...More info.
Stiff White Nylon tightly packed into the ferrule. Used for antiquing, cleaning off overspray, crazing, stippling, dry brushing and fabric painting. Excellent for wiping out watercolour. A shorter version of the flats for greater control. ...More info.
A synthetic badger glazing brush ideal for glazing and/or varnishing. A full bodied brush enabling you to load with a lot of medium, when worked edge on this brush will 'dab' or 'stipple'. The feeling of the brush is in between the stiffness of hog and the softness of sable. It has a good spring, is hard wearing and easy to clean. Please note beaver tail handle...More info.
Used extensively by signwriters and yet popular with watercolourists when a firm stroke is required. Sable blended with ox hair. ...More info.
These flat chisel shaped brush also known as a 'one stroke', simply because you can achieve your mark in one stroke. Ideal for a gradual wash in watercolour, with a sharp chisel edge allowing the brush to work on it’s tip and fashion a good line. ...More info.
The Pure Sable Filbert will come to a beautiful point when wet enabling strokes from the point, side edge or flat side of the brush. Perfect for skies and clouds, foliage and general washes. A very useful addition to your watercolour collection. ...More info.
Fashioned on a beaver tail handle for added comfort this 1" is a firm favourite. Please note beaver tail handle length: 1" - approx 5 3/4" 1 1/2" - approx 6 1/2" 2" - approx 6 1/2" ...More info.
A mixture of sable and synthetic mixed together to perhaps offer the best of both worlds. Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and impasto. ...More info.
A longer length of brush head offering a good amount of liquid retention. Ideal for larger washes in watercolour and architectural drawings. ...More info.
Ideal for watercolour and oil, the natural characteristics of the Red Sable hair offer a good "belly", allowing a liquid holding capacity greater than, for example "Nylon". Brights (short flats) allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Also ideal for blocking in and impasto. ...More info.
By popular demand the beauty of this shape allows a fine line (without the tremble sometimes associated with a rigger) and amazing effects when twisted side to side. ...More info.
A mixture of sable and synthetic mixed together to perhaps offer the best of both worlds. The rigger shape is similar to a round but with much longer hair, also referred to as a "script" brush. ...More info.
The 1/2" are currently out of stock. We ancipate these being made mid-August. In the meanwhile, why not try another size or the Shiraz Dagger, Ivory Dagger or Series 311. A new addition to our blended range. A useful brush, the dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush 'twisted' through the stroke you can see ori...More info.
The head is formed to an acute angle which is perfect for "cutting" in effects. The Pure Sable ensures a great carrying capacity with an extremely fine edge for precision. Popular with watercolour, oil and acrylic artists. ...More info.
A soft flat style brush for background washes and 'wet on wet'. Ideal for glazing and fine varnish. ...More info.
I have been asked many times to produce a brush without a point! The Series 79 Pure Sable rounds hold a good amount of liquid to allow continuous painting, which make them ideal for washes and softer strokes. ...More info.
Showing 101 to 120 of 200 (10 Pages)