Vegan Friendly

The Evergreen Angulars have a chiselled edge creating a great drawing tool with a difference from the More Info >>

"The Evergreen Daggers are flexible enough to give you a really wide vocabulary when it comes to brush calligraphy and mark making, but it also has the body to load the paint in the way you want - More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

By popular request, we made the longer filberts for artists' who want a looser brush More Info >>

With it's soft round edges filberts are particularly effective for blending oil and popular with Figurative More Info >>

By popular request, we have made an Extra Long Flat in the Evergreens. This should allow you to keep paint further away from the ferrule and allow a great leverage with your brush More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

The Ivory Angular is ideal for "cutting" in and out lines and flooding areas, filling corners and curved strokes. Popular for Portraiture and Floral painting in Oils More Info >>

It seems a long time ago I created the 'Ivory' range of brushes. Artists wanted an oil brush that retained it's shape, had just enough spring and were easy to clean..... oh and they had to last! Fast More Info >>

This range of Rosemary & Co Impasto brushes will allow for the technique of laying on paint or pigment thickly so it will stand out from the surface. The Ivory synthetics are easy to clean, More Info >>

Ideal for blocking in and impasto. These larger sizes are beautiful for covering a large More Info >>

The Ivory Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and More Info >>

By popular request, we have added the Angular shape to our best selling oil "fibre" - the Ivory line. For those who paint big! Fashioned on a black lacquered, Beaver Tail More Info >>

The Egbert is a filbert with extra long hair, this is a more traditional brush used by the Old Masters, typically for oil More Info >>

Sword Liners are for fine lines and to draw or sweep across. The sharp working edge and needle point allows a broad stroke with an intricate More Info >>

The Eclipse Extra Long Combers are ideal for the oil artist who likes a sharp edge and to build layers. These brushes taper to a fine line turned sideways. For those who loved the 'old' style More Info >>

Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for More Info >>

This long filbert has extra length as requested, allowing more flexibility. It should also allow you to keep the paint away from the ferrule of the brush, which in theory should make it easier to More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" or "liner" More Info >>

The oval end can be used to both make sweeping strokes but also fine lines when held More Info >>

The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. A shorter version of the flats for greater More Info >>

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The Ivory is synthetic bristle at its best, a cross between the feel of nylon and hog bristle. The oval end can be used to both make sweeping strokes but also fine lines when held vertically. The More Info >>

I wanted a brush that has the feel of a flat for laying in swathes of paint, but with slightly tapered fibers for getting a softer edge, the way you would with a More Info >>

The dagger shape is for when a tighter mark is required, very More Info >>

The Long Flats (also known as Flats) allow for a longer, looser stroke. They have a sharp edge and allow you to fully load your brush. They carry a lot of paint, and the longer length of hair should More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. They also make an excellent signature More Info >>

The fan brushes use a special ferrule which spreads the hairs to form a fan shape. They are used for several effects including grasses, fur and often for More Info >>

The new domed filberts are a welcome addition for portrait painters and figurative artists More Info >>

The Eclipse Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and More Info >>

The Eclipse Angulars are excellent when you need to cut in an edge. For example, petals and More Info >>

A wonderful brush for grasses, animal fur, feather details and to build up hair in human More Info >>

The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than More Info >>

The Eclipse Long Flats are a new addition to this range, by popular demand. They have a lovely snap, yet are still delicate enough for alla prima, wet on wet techniques. They do not pull the paint More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. They have a beautiful strong point for detail and drawing. They also make an excellent More Info >>

The Evergreen Long Flat allows for a precise chiseled edge, yet is a softer synthetic which makes a more delicate mark than an Ivory Long More Info >>

Thank you to David Leffel who suggested this addition to our range and who honorably carried out trials. The extra length allows a greater flow and of course, holds more More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" of "liner" More Info >>