Oil Brushes

A Sable brush, without a More Info >>

The Series 90 was designed with signwriters and calligraphers in mind, but popular with watercolourists who paint architecture and More Info >>

The Series 7320 is a flat, chisel shaped brush also known as a 'one stroke', simply because you can achieve your mark in one stroke - hence the More Info >>

    The Series 7350 Pure Sable Filbert will come to a beautiful point when wet enabling strokes from the point, side edge or flat side of the brush. Perfect for skies and More Info >>

The Series 77 Short Flats are also known as "brights" allow a much sturdier brush with a stronger "snap" creating sharper edges and control. They are also ideal for "blocking in", larger washes More Info >>

The Ebony Short Flats allow a much sturdier brush which create an edge. A favourite for blending and knocking back your edges in More Info >>

White goat hair offers a huge liquid carrying capacity for watercolour washes. The Series 882 are perfect for 'knocking' back edges in oils and blending. They are also an ideal cleaning brush for More Info >>

The Series 55 is a flat, chisel shaped brush which comes to a razor edge for long, controlled brush strokes. They are great for washes, skies and architectural More Info >>

I have been making this style of brush for many years, the name 'Mop' usually implies large dense brush for applying a wash but I believe my Kolinsky Sable Mops are much more than this! More Info >>

The comber is also known as a 'Rake’.  They produce instant grasses, fur and feathers and are a nice addition to your More Info >>

The Series 52 are perfect for blending and softening edges in oils and offer special effects in More Info >>

Designed and requested by you the artist.  For those who find a standard rigger difficult to control this offers and slightly shorter More Info >>

The Series 11 was created by talking to several professional artists who needed a brush with a tapered point and a flat More Info >>

A full bodied wide Pure Kolinsky coming to a fine point.  For broad strokes and yet perfect detail from the point.  The ultimate brush for washes and background.  The tip has such a More Info >>

Our Series 230 is an extra fine detail brush, only available in the size 10/0 and on the short handle for balance More Info >>

The Series 309 Swordliner's are a popular shape for even lines.  The swordliner shape is perhaps more versatile than a rigger (For example our Series 315's) when a steady hand is hard to More Info >>

When this brush is wet with water it will 'spike' for brilliant grass effects, or for hair. If you worked this brush semi-dry it will create easy tree More Info >>

The Series 312 are perfect for clouds, backgrounds washes and tree canopies. A favourite for landscapes, botanical and floral work and large washes, without a hard More Info >>

The Series 304 will help you loosen up your work, whilst retaining a beautiful tapered point. They have an excellent carrying capacity of both pigment and water, and are have much more spring than More Info >>

As requested by artists to flow even further than the Series More Info >>

Designed by Paul Weaver. Although a large brush we have tapered this down to an extreme point. Capable of large washes yet, the fine point allows the most finest detail. Designed to be used with More Info >>

The Series 2250's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

This is a Sable brush with unique properties which can be used a tool for painting winter and summer More Info >>

By popular request, we have made an Extra Long Flat in the Evergreens. This should allow you to keep paint further away from the ferrule and allow a great leverage with your brush More Info >>

The Series 141 is great for creating many unique marks and softening More Info >>

The Series 308 Long flat bristles allow for a full stroke. The Hog Bristle Long Flats are a very economical range, ideal for use with all mediums and popular for backgrounds and More Info >>

A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. This special "duster" has longer bristles than an average blender for greater More Info >>

The Ivory Angular is ideal for "cutting" in and out lines and flooding areas, filling corners and curved strokes. Popular for Portraiture and Floral painting in Oils More Info >>

Ideal for blocking in and impasto. These larger sizes are beautiful for covering a large More Info >>

By popular request, we have added the Angular shape to our best selling oil "fibre" - the Ivory line. For those who paint big! Fashioned on a black lacquered, Beaver Tail More Info >>

The fan brushes use a special ferrule which spreads the hairs to form a fan shape. They are used for several effects including grasses, fur and often for More Info >>

A wonderful brush for grasses, animal fur, feather details and to build up hair in human More Info >>

The fan brush is great is made with a special ferrule which spread the hairs to form a fan shape. They are excellent for effects such as grasses, fur and more often than not, blending in More Info >>

The Rigger brush (also known as a liner or script brush) is great for thin, fine lines. For example, tree branches, tufts of grass, hair and of course for drawing. The longer length of the hair gives More Info >>

The Red Dot Combers are excellent for hair, fur, grasses and smoothing out a sharp edge. A favourite for figurative oil painters on the longer handle, and watercolour landscape painters on the More Info >>

The Red Dot Fans are excellent for softening and blending edge work. Portraiture painters love them, as do More Info >>

The Series 2095 are a shorter round which allows for more precise strokes. Packed tightly in the ferrule, the belly of the brush is shorter and thus, so is the point, giving extra strength and More Info >>

By request, we've designed a shorter filbert for more precision and control. When loaded up with paint they make really thick More Info >>

When too much paint has been distributed on the surface and then a fan brush has been used over the painted area, the fan brush can smear all the work and lower the intensity of the colors. This More Info >>

Variety of uses but particularly for 'cutting' colours in and out.  Beaver tail More Info >>