Oil Brushes

Tiny tufts of hair tapered to a fine point, for retouching and fine More Info >>

The Red Sable Extended points, sometimes called a reservoir brush because of its capability to hold an immense amount of water. The centre made from pure sable which acts as a precise rigger with the More Info >>

The Series 98. Pure Sable Pointed Rounds are offered on a triangular shaped More Info >>

A Sable brush, without a More Info >>

The Series 78 brush head is formed to an acute angle which is perfect for "cutting" in effects. The Pure Sable ensures a great carrying capacity with an extremely fine edge for More Info >>

The Series 90 was designed with signwriters and calligraphers in mind, but popular with watercolourists who paint architecture and More Info >>

The oval end of the Series 91 can be used to both make sweeping strokes but also fine lines when held vertically. Also known as a "cat's tongue", these brushes have a beautiful point which allows for More Info >>

The Series 88 rigger shape is similar to a Pointed Round, but with much longer hair, also referred to as a "script" or a "liner" brush. These are ideal for long, continuous strokes and have a large More Info >>

A favourite for botanical artists but worth trying if you like experimenting. The point may appear shorter, but they are still super More Info >>

We designed The Pure Sable Domed Filbert Series 81's with the oil artist in mind who requires a 'fuller' body to a filbert and a nice domed shaped head rather than the 'cats tongue' style which tends More Info >>

The Series 101 have proved popular with our customers, for example with arthritis and those who found holding a brush for a length of time uncomfortable. An added bonus is they don't roll off the More Info >>

The Series 7320 is a flat, chisel shaped brush also known as a 'one stroke', simply because you can achieve your mark in one stroke - hence the More Info >>

    The Series 7350 Pure Sable Filbert will come to a beautiful point when wet enabling strokes from the point, side edge or flat side of the brush. Perfect for skies and More Info >>

Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for More Info >>

The Series 77 Short Flats are also known as "brights" allow a much sturdier brush with a stronger "snap" creating sharper edges and control. They are also ideal for "blocking in", larger washes More Info >>

The Ebony Filbert has become an oil painters favourite. The oval end can be used to both make sweeping strokes but also fine lines when held More Info >>

The Ebony Pointed Rounds can be used for landscapes, portraits and figurative work. The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer More Info >>

The Ebony Short Flats allow a much sturdier brush which create an edge. A favourite for blending and knocking back your edges in More Info >>

The Classic Egbert is a filbert with extra long hair. This is a more traditional brush used by the Old Masters, typically for oil More Info >>

The Classic Fan uses a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for blending. When used with less pigment (or by wiping More Info >>

The Classic Long Flat is popular for oil paints. The longer hair results in a loose brush with little More Info >>

The Classic Filbert is very popular with oil painters. The oval end can be used to both make sweeping strokes but also fine lines when held vertically. This shape tends to be favoured by portrait More Info >>

The Classic Round can be used for landscapes, portraits and figurative work. The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer More Info >>

A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more More Info >>

A favourite in ceramics for dusting and glazing. However, in more recent times we have seen more Oil painters enjoy this range as a very soft and delicate blending brush. We recommend using this More Info >>

The Series 107 is a large round full-bodied domed end with a great water or pigment carrying capacity for washes and backgrounds in watercolours but also blending in Oils and More Info >>

The Series 108's are made from goat hair which is soft and is typically ideal for washes and More Info >>

You can use the Series 108 in Oils and Acrylics for blending and knocking back edge More Info >>

A soft flat style brush for background washes and 'wet on wet'.  Ideal for glazing and fine More Info >>

White goat hair offers a huge liquid carrying capacity for watercolour washes. The Series 882 are perfect for 'knocking' back edges in oils and blending. They are also an ideal cleaning brush for More Info >>

The Series 888 Hake is made with a ferrule and our traditional black handle. Ideal for washes and blending both in Oils and More Info >>

Our Series 33's are one of the most popular watercolour brush we make. They are a great all-rounder; with an excellent point, and great pigment and water carrying capacity. We describe them as the More Info >>

Takes on the name 'designer' due to it being widely used by leading Design Departments in Film, Graphics and Illustration. A beautiful tapered sharp point, somewhat longer and slimmer than Series 33. More Info >>

The Series 55 is a flat, chisel shaped brush which comes to a razor edge for long, controlled brush strokes. They are great for washes, skies and architectural More Info >>

I have been making this style of brush for many years, the name 'Mop' usually implies large dense brush for applying a wash but I believe my Kolinsky Sable Mops are much more than this! More Info >>

Sometimes referred to as 'cats tongue' or 'petal brush' due to the immediate mark this shape of head makes.  A favourite with botanical artists and More Info >>

The Series 60 Sword Liner is also called a 'liner' or 'sword'. They are fashioned at an angle and extruded to a slim point for lining, offering continuous flow due to a magnificent water holding More Info >>

The comber is also known as a 'Rake’.  They produce instant grasses, fur and feathers and are a nice addition to your More Info >>

The Series 52 are perfect for blending and softening edges in oils and offer special effects in More Info >>

Another beautiful addition to our Kolinsky Sable range. Forms a precise tapered point for 'drawing' and flow whilst having the 'belly' in just the right place to carry liquid elegantly. The length of More Info >>

The Series 11 was created by talking to several professional artists who needed a brush with a tapered point and a flat More Info >>

A full bodied wide Pure Kolinsky coming to a fine point.  For broad strokes and yet perfect detail from the point.  The ultimate brush for washes and background.  The tip has such a More Info >>

Our Set 100 is perfect for Acrylic painters. Consisting of 8 of our most popular brush shapes and sizes from the Shiraz range, this synthetic set will be ideal for people starting out and More Info >>

As the name suggests, ideal for long lines and the 'rigging' on ships giving an even More Info >>

The Series 323 Spotters are a favourite amoungst botanical painters. The shorter tip and thicker belly of the brush creates beautiful petals, stems and More Info >>

The Ultimate Filbert is a favourite for portrait painters as it allows for a softer edge & stroke. That being said, they are used for landscapes, still lifes and such More Info >>

This set consists of 9 popular shapes and sizes from the Evergreen range. They are 100% synthetic and More Info >>

Our Series 230 is an extra fine detail brush, only available in the size 10/0 and on the short handle for balance More Info >>

The Series 309 Swordliner's are a popular shape for even lines.  The swordliner shape is perhaps more versatile than a rigger (For example our Series 315's) when a steady hand is hard to More Info >>

When this brush is wet with water it will 'spike' for brilliant grass effects, or for hair. If you worked this brush semi-dry it will create easy tree More Info >>

The Series 313 is our offering of a student quality synthetic range. They are on a black and white handle, which make them easy to identify amoungst your other More Info >>

The Series 312 are perfect for clouds, backgrounds washes and tree canopies. A favourite for landscapes, botanical and floral work and large washes, without a hard More Info >>

The Series 304 will help you loosen up your work, whilst retaining a beautiful tapered point. They have an excellent carrying capacity of both pigment and water, and are have much more spring than More Info >>

The Series 311's are great for side loading and shading. They are perfect for intricate flower and petal work too. Folk art and barge painters adore this More Info >>

The 222's are one of our most popular brushes for backgrounds, washes, varnishing, glaszing, decoupage and covering large surfaces. They have a superb chisel edge and in the words of our good friend More Info >>

As requested by artists to flow even further than the Series More Info >>

Designed by Paul Weaver. Although a large brush we have tapered this down to an extreme point. Capable of large washes yet, the fine point allows the most finest detail. Designed to be used with More Info >>

The Series 2230's quirky head shape allows a much more open, seperated stroke and is a much stronger in construction to the Series 2250 or Series 2240  as those ranges may clog up in Oils and More Info >>

Our comber brushes (sometimes called rakes) are popular with many artists for creating quick and easy lines, closely together. Although the 2240's are very made very similarly to our Series More Info >>

The Series 2250's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 305 have a flat body which comes together in the centre to a point.  Excellent for foliage, petals and More Info >>

This is a Sable brush with unique properties which can be used a tool for painting winter and summer More Info >>

Our Series 32 is designed to simplify the art of painting trees and foliage; this special brush has just the right performance to deliver perfect tree foliage (also a good texture brush for shrubbery More Info >>

Our Ultimate range are made with interlocking bristles which offer the artists a traditional brush; but with double the More Info >>

Our Ultimate range are made with interlocking bristles which offer the artists a traditional brush; but with double the More Info >>

The Ultimates are a favourite for Oil painters. That being said in general it's worth knowing they are bushy in nature - and do splay out somewhat more than synthetics. They are a much rougher More Info >>

The Evergreen Angulars have a chiselled edge creating a great drawing tool with a difference from the More Info >>

"The Evergreen Daggers are flexible enough to give you a really wide vocabulary when it comes to brush calligraphy and mark making, but it also has the body to load the paint in the way you want - More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

By popular request, we made the longer filberts for artists' who want a looser brush More Info >>

With it's soft round edges filberts are particularly effective for blending oil and popular with Figurative More Info >>

For the finest of lines, holding a great amount of paint and distributing it evening, with a point. The Evergreen riggers have a fantastic 'snap' which gives you control when More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

By popular request, we have made an Extra Long Flat in the Evergreens. This should allow you to keep paint further away from the ferrule and allow a great leverage with your brush More Info >>

The Evergreen Short Flat allows for a sharper and more precise edge than the Evergreen Long Flat, yet is a softer synthetic which makes a more delicate mark than an Ivory Short More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

The Set 175 are 100% Synthetic and Vegan Friendly. This brush set is ideal for Oil and Acrylics and is a great way to try out the Evergreen More Info >>

The Evergreen Long Flat allows for a precise chiseled edge, yet is a softer synthetic which makes a more delicate mark than an Ivory Long More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer details. They make excellent signature brushes More Info >>

The Shiraz Range are 100% synthetic and Vegan More Info >>

The Shiraz Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. They are also ideal for blocking in and More Info >>

The longer hair results in a loose brush with little "snap". Designed for oil and acrylics, yet works very well with More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" or "liner" More Info >>

The Shiraz daggers are excellent for unique brush strokes. When loaded with paint, they are fun to twist and turn to create texture and organic strokes. When used on their edge, they make a wonderful More Info >>

Shiraz is an extremely versatile brush for use with any More Info >>

With a soft rounded edge the short filbert is suitable for intricate figurative work and More Info >>

The Shiraz filberts are a versatile shape, allowing for broad strokes and softening edges. Particularly useful for blending in figurative work, however can make beautiful petal shapes and More Info >>

A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more control. The More Info >>

The Series 141 is great for creating many unique marks and softening More Info >>

The Series 142 Domed Rounds are good for blending and stippling in oils and More Info >>

The Series 24's are a popular for backgrounds and More Info >>

The Tisch Daggers are made from 100% Natural Bristle hair. They are scratchy and organic in their nature. This is the brush Andrew has designed, for an organic stroke. Should you wish for a sharper, More Info >>

Rosemary & Co Hog Domed Round Series 3077 is an economical softer bristle which is flexible when More Info >>

The Series 308 Long flat bristles allow for a full stroke. The Hog Bristle Long Flats are a very economical range, ideal for use with all mediums and popular for backgrounds and More Info >>

The Series 3099's are a good all-rounder! They are excellent in any medium; oils, acylics, watercolours & gouache to name a More Info >>

A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. This special "duster" has longer bristles than an average blender for greater More Info >>

A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. The oval end can be used to both make sweeping strokes but also fine lines when held More Info >>

The Ivory Angular is ideal for "cutting" in and out lines and flooding areas, filling corners and curved strokes. Popular for Portraiture and Floral painting in Oils More Info >>

It seems a long time ago I created the 'Ivory' range of brushes. Artists wanted an oil brush that retained it's shape, had just enough spring and were easy to clean..... oh and they had to last! Fast More Info >>

This range of Rosemary & Co Impasto brushes will allow for the technique of laying on paint or pigment thickly so it will stand out from the surface. The Ivory synthetics are easy to clean, More Info >>

The Ivory is synthetic bristle at its best, a cross between the feel of nylon and hog bristle. The oval end can be used to both make sweeping strokes but also fine lines when held vertically. The More Info >>

Thank you to David Leffel who suggested this addition to our range and who honorably carried out trials. The extra length allows a greater flow and of course, holds more More Info >>

The Long Flats (also known as Flats) allow for a longer, looser stroke. They have a sharp edge and allow you to fully load your brush. They carry a lot of paint, and the longer length of hair should More Info >>

Ideal for blocking in and impasto. These larger sizes are beautiful for covering a large More Info >>

The Ivory Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. They also make an excellent signature More Info >>

I wanted a brush that has the feel of a flat for laying in swathes of paint, but with slightly tapered fibers for getting a softer edge, the way you would with a More Info >>

By popular request, we have added the Angular shape to our best selling oil "fibre" - the Ivory line. For those who paint big! Fashioned on a black lacquered, Beaver Tail More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" of "liner" More Info >>

The Egbert is a filbert with extra long hair, this is a more traditional brush used by the Old Masters, typically for oil More Info >>

The dagger shape is for when a tighter mark is required, very More Info >>

Sword Liners are for fine lines and to draw or sweep across. The sharp working edge and needle point allows a broad stroke with an intricate More Info >>

The Series 301 work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

A square shaped head offering precise 'blocking' action; good for windows, walls, architecture and when a sharp edge is More Info >>

Our Series 303's are often referred to as a 'chisel' brush, with the longer length of head offering a firm stroke. This makes the Series 303's ideal for background washes, architecture and even More Info >>

The Series 310's head of the brush is formed at an acute angle offering easy control to cut in lines, make sweeping effects and go from finer the thicker strokes. You can draw very thin lines with More Info >>

The Series 307 are a spotter brush, which have a good 'stubby' point when short controlled strokes are More Info >>

The Series 344 are tapered to a fine point, which make them excellent for drawing, illustration, design & architecture and provide more flow than a standard round with the extended tip. We highly More Info >>

The Series 315's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 318's have a specially shaped triangular ferrule allows the synthetic to form a good point. When pressed to the paper, this brush creates a stunning petal More Info >>

The Series 236's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 314's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by watercolourists and oil portraiture More Info >>

Flat square brush head with shorter length of hair from the ferrule, allowing control of shorter strokes, ideal for 'blocking' e.g. windows and bricks.  A good blender for oil More Info >>

The Eclipse Angulars are excellent when you need to cut in an edge. For example, petals and More Info >>

A wonderful brush for grasses, animal fur, feather details and to build up hair in human More Info >>

The new domed filberts are a welcome addition for portrait painters and figurative artists More Info >>

The Eclipse Extra Long Combers are ideal for the oil artist who likes a sharp edge and to build layers. These brushes taper to a fine line turned sideways. For those who loved the 'old' style More Info >>

Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for More Info >>

The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than More Info >>

This long filbert has extra length as requested, allowing more flexibility. It should also allow you to keep the paint away from the ferrule of the brush, which in theory should make it easier to More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" or "liner" More Info >>

The Eclipse Long Flats are a new addition to this range, by popular demand. They have a lovely snap, yet are still delicate enough for alla prima, wet on wet techniques. They do not pull the paint More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. They have a beautiful strong point for detail and drawing. They also make an excellent More Info >>

The oval end can be used to both make sweeping strokes but also fine lines when held More Info >>

The fan brush is great is made with a special ferrule which spread the hairs to form a fan shape. They are excellent for effects such as grasses, fur and more often than not, blending in More Info >>

The larger rounds are brilliant for laying on colour and broader marks and as they go smaller they are ideal for More Info >>

The Rigger brush (also known as a liner or script brush) is great for thin, fine lines. For example, tree branches, tufts of grass, hair and of course for drawing. The longer length of the hair gives More Info >>

The Angular brush is made to create a unique brush stroke. They allow you to "cut in" to your painting, and lay down a brush stroke freely, without pulling other pigments. The Series 275's are More Info >>

The Series 279's were designed and developed with the help of some of America's finest oil painters. The intention was clear. A brush that held a lot of paint, was soft to blend and knock back edges More Info >>

By popular demand the beauty of this shape allows a fine line (without the tremble sometimes associated with a rigger) and amazing effects when twisted side to More Info >>

The Short Filbert Series 276 are excellent for intricate detail, getting into corners and for a fuller stroke than a typical round More Info >>

The Series 771's are a hidden gem and very popular amoungst oils, watercolour, gouache and acrylic More Info >>

The Series 721 are a Sable and Ox Ear Mix. They are used extensively by signwriters and yet popular with Watercolourists when a firm stroke is More Info >>