Takes on the name 'designer' due to it being widely used by leading Design Departments in Film, Graphics and Illustration. A beautiful tapered sharp point, somewhat longer and slimmer than Series 33. Ideal for drawing and expressive work where continuity of flow is required. Perhaps for the professional artist who demands only the best?
Please note, sizes 14, 16...More info.
"I paint a wide variety of subjects that require different technical approaches, therefore, I need a wide range of brushes that will allow me to create an engaging sense of reality across many genres. Rosemary and Co make the best brushes out there. I choose these brushes for their reliability and absolute quality" Andrew Tischler, 2018.
Please Note: Available on Long Handle only ...More info.
The Classic Egbert is a filbert with extra long hair. This is a more traditional brush used by the Old Masters, typically for oil painting.
Long Handle Only
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The classic fan uses a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for blending.
Long Handle Only
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The Classic Filbert is very popular with oil painters. The oval end can be used to both make sweeping strokes but also fine lines when held vertically.
Long Handle Only
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The classic pointed round can be used for landscapes, portraits and figurative work. The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail.
Long Handle Only
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Ebony Brights (Short Flat) are have become an oil painters favourite. The short hairs allow a much sturdier brush with a stronger "snap" creating sharper edges and control.
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The Ebony Filbert has become an oil painters favourite. The oval end can be used to both make sweeping strokes but also fine lines when held vertically.
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The Ebony Pointed Rounds can be used for landscapes, portraits and figurative work. The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail.
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The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. Ideal for oil and acrylic painting. Because of the shape, this brush is easy to hold in the hand and ideal for blending.
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The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. A wonderful brush for grasses, animal fur, feather details and to build up hair in human portraiture.
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A new line of Eclipse Extra Long Combers available in 6 popular sizes. Ideal for the oil artist who likes a sharp edge and to build layers. These brushes taper to a fine line turned sideways. For those who loved the 'old' style mongoose long flats, you will love these.
"Eclipse X-Long Comber brush is sturdy enough to push and apply paint to a specific area, and is soft enough, similar to th...More info.
The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for blending.
...More info.
The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. This filbert has extra length as requested, allowing more flexibility.
Note: Additional Sizes available from the end of July!
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The Eclipse Long Flats are a new addition to this range, by popular demand. They have a lovely snap, yet are still delicate enough for alla prima, wet on wet techniques. They do not pull the paint off allowing layer upon layer in oils and acrylics.
*Long Handle Only*
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The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. The rigger shape is similar to a round but with much longer hair, also referred to as a "script" brush.
...More info.
The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail.
...More info.
