Oil Brushes

Tiny tufts of hair tapered to a fine point, for retouching and fine More Info >>

The Red Sable Extended points, sometimes called a reservoir brush because of its capability to hold an immense amount of water. The centre made from pure sable which acts as a precise rigger with the More Info >>

The Series 98. Pure Sable Pointed Rounds are offered on a triangular shaped More Info >>

A Sable brush, without a More Info >>

The Series 78 brush head is formed to an acute angle which is perfect for "cutting" in effects. The Pure Sable ensures a great carrying capacity with an extremely fine edge for More Info >>

The Series 90 was designed with signwriters and calligraphers in mind, but popular with watercolourists who paint architecture and More Info >>

The oval end of the Series 91 can be used to both make sweeping strokes but also fine lines when held vertically. Also known as a "cat's tongue", these brushes have a beautiful point which allows for More Info >>

The Series 88 rigger shape is similar to a Pointed Round, but with much longer hair, also referred to as a "script" or a "liner" brush. These are ideal for long, continuous strokes and have a large More Info >>

A favourite for botanical artists but worth trying if you like experimenting. The point may appear shorter, but they are still super More Info >>

The Series 101 have proved popular with our customers, for example with arthritis and those who found holding a brush for a length of time uncomfortable. An added bonus is they don't roll off the More Info >>

The Series 7320 is a flat, chisel shaped brush also known as a 'one stroke', simply because you can achieve your mark in one stroke - hence the More Info >>

    The Series 7350 Pure Sable Filbert will come to a beautiful point when wet enabling strokes from the point, side edge or flat side of the brush. Perfect for skies and More Info >>

Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for More Info >>

The Series 77 Short Flats are also known as "brights" allow a much sturdier brush with a stronger "snap" creating sharper edges and control. They are also ideal for "blocking in", larger washes More Info >>

The Ebony Filbert has become an oil painters favourite. The oval end can be used to both make sweeping strokes but also fine lines when held More Info >>

The Ebony Pointed Rounds can be used for landscapes, portraits and figurative work. The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer More Info >>

The Classic Egbert is a filbert with extra long hair. This is a more traditional brush used by the Old Masters, typically for oil More Info >>

The Classic Fan uses a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for blending. When used with less pigment (or by wiping More Info >>

The Classic Short Flat allows a much sturdier brush with a stronger "snap". Ideal for blocking in and More Info >>

The Classic Filbert is very popular with oil painters. The oval end can be used to both make sweeping strokes but also fine lines when held vertically. This shape tends to be favoured by portrait More Info >>

The Classic Round can be used for landscapes, portraits and figurative work. The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer More Info >>

A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more More Info >>

A favourite in ceramics for dusting and glazing. However, in more recent times we have seen more Oil painters enjoy this range as a very soft and delicate blending brush. We recommend using this More Info >>

The Series 107 is a large round full-bodied domed end with a great water or pigment carrying capacity for washes and backgrounds in watercolours but also blending in Oils and More Info >>

The Series 108's are made from goat hair which is soft and is typically ideal for washes and More Info >>

You can use the Series 108 in Oils and Acrylics for blending and knocking back edge More Info >>

A soft flat style brush for background washes and 'wet on wet'.  Ideal for glazing and fine More Info >>

White goat hair offers a huge liquid carrying capacity for watercolour washes. The Series 882 are perfect for 'knocking' back edges in oils and blending. They are also an ideal cleaning brush for More Info >>

Our Series 33's are one of the most popular watercolour brush we make. They are a great all-rounder; with an excellent point, and great pigment and water carrying capacity. We describe them as the More Info >>

Takes on the name 'designer' due to it being widely used by leading Design Departments in Film, Graphics and Illustration. A beautiful tapered sharp point, somewhat longer and slimmer than Series 33. More Info >>

The Series 55 is a flat, chisel shaped brush which comes to a razor edge for long, controlled brush strokes. They are great for washes, skies and architectural More Info >>

I have been making this style of brush for many years, the name 'Mop' usually implies large dense brush for applying a wash but I believe my Kolinsky Sable Mops are much more than this! More Info >>

Sometimes referred to as 'cats tongue' or 'petal brush' due to the immediate mark this shape of head makes.  A favourite with botanical artists and More Info >>

The Series 60 Sword Liner is also called a 'liner' or 'sword'. They are fashioned at an angle and extruded to a slim point for lining, offering continuous flow due to a magnificent water holding More Info >>

The comber is also known as a 'Rake’.  They produce instant grasses, fur and feathers and are a nice addition to your More Info >>

The Series 52 are perfect for blending and softening edges in oils and offer special effects in More Info >>

Another beautiful addition to our Kolinsky Sable range. Forms a precise tapered point for 'drawing' and flow whilst having the 'belly' in just the right place to carry liquid elegantly. The length of More Info >>

Designed and requested by you the artist.  For those who find a standard rigger difficult to control this offers and slightly shorter More Info >>

The Series 11 was created by talking to several professional artists who needed a brush with a tapered point and a flat More Info >>

A full bodied wide Pure Kolinsky coming to a fine point.  For broad strokes and yet perfect detail from the point.  The ultimate brush for washes and background.  The tip has such a More Info >>