Vegan Friendly

They are used for antiquing, cleaning off overspray, crazing, stippling, dry brushing and fabric painting. More Info >>

The Series 502 is a white Nylon tightly packed into the ferrule. They are 100% Synthetic and Vegan More Info >>

Our Set 25 is made with 100% synthetic fibres that allow superb snap, spring and retention. They are 100% Vegan Friendly. The Set 25 consists of 7 of our most popular synthetic rounds sizes, all on More Info >>

The points are sharp and tapered beautifully to hold just the right amount of liquid allowing for a full wash right down to a fine More Info >>

A favourite for drawing, architrcture and illustration. They allow a tight stroke, whilst also carrying enough pigment to flow the paint for More Info >>

Our Series 230 is an extra fine detail brush, only available in the size 10/0 and on the short handle for balance More Info >>

The Series 235 is designed to hold good amounts of liquid for washes and also double-up as a good synthetic stippler to create foliage and shrubbery More Info >>

The Series 309 Swordliner's are a popular shape for even lines.  The swordliner shape is perhaps more versatile than a rigger (For example our Series 315's) when a steady hand is hard to More Info >>

The Series 241 is a beautiful 2" in width Golden Taklon full bodied, flat edged brush. They are ideal for a watercolour wash and yet when used on the edge are great for creating More Info >>

When this brush is wet with water it will 'spike' for brilliant grass effects, or for hair. If you worked this brush semi-dry it will create easy tree More Info >>

The Series 313 is our offering of a student quality synthetic range. They are on a black and white handle, which make them easy to identify amoungst your other More Info >>

The Series 312 are perfect for clouds, backgrounds washes and tree canopies. A favourite for landscapes, botanical and floral work and large washes, without a hard More Info >>

The Series 304 will help you loosen up your work, whilst retaining a beautiful tapered point. They have an excellent carrying capacity of both pigment and water, and are have much more spring than More Info >>

The Series 311's are great for side loading and shading. They are perfect for intricate flower and petal work too. Folk art and barge painters adore this More Info >>

The 222's are one of our most popular brushes for backgrounds, washes, varnishing, glaszing, decoupage and covering large surfaces. They have a superb chisel edge and in the words of our good friend More Info >>

As requested by artists to flow even further than the Series More Info >>

Designed by Paul Weaver. Although a large brush we have tapered this down to an extreme point. Capable of large washes yet, the fine point allows the most finest detail. Designed to be used with More Info >>

The Series 2230's quirky head shape allows a much more open, seperated stroke and is a much stronger in construction to the Series 2250 or Series 2240  as those ranges may clog up in Oils and More Info >>

Our comber brushes (sometimes called rakes) are popular with many artists for creating quick and easy lines, closely together. Although the 2240's are very made very similarly to our Series More Info >>

The Series 2250's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 305 have a flat body which comes together in the centre to a point.  Excellent for foliage, petals and More Info >>

Fashioned on a beautiful green 'thick' handle which is comfortable to hold, this little gem will be a favourite in your brush More Info >>

The Series 222 are made from our Golden Synthetic range. They are 100% Vegan Friendly and perfect for all mediums including watercolours, oils & acrylics. They work well in gouache More Info >>

A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or More Info >>

Michael Klein is part of a group of American artists leading the revival of representational painting hearkening back to the Renaissance and French Academic traditions. '"Everyone has learned after More Info >>

A selection of Synthetic brushes chosen by Anna Mason. This range is 100% Vegan Friendly and made from our Golden Synthetic Range. This brush set is only available on the short handle (approx 7 More Info >>

A selection of Synthetic brushes chosen by Anna Mason. This range is 100% Vegan Friendly and made from our Golden Synthetic Range. This brush set is only available on the short handle (approx 7 More Info >>

The Series 301 work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

A square shaped head offering precise 'blocking' action; good for windows, walls, architecture and when a sharp edge is More Info >>

Our Series 303's are often referred to as a 'chisel' brush, with the longer length of head offering a firm stroke. This makes the Series 303's ideal for background washes, architecture and even More Info >>

The Series 310's head of the brush is formed at an acute angle offering easy control to cut in lines, make sweeping effects and go from finer the thicker strokes. You can draw very thin lines with More Info >>

The Series 307 are a spotter brush, which have a good 'stubby' point when short controlled strokes are More Info >>

The Series 344 are tapered to a fine point, which make them excellent for drawing, illustration, design & architecture and provide more flow than a standard round with the extended tip. We highly More Info >>

The Series 315's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 318's have a specially shaped triangular ferrule allows the synthetic to form a good point. When pressed to the paper, this brush creates a stunning petal More Info >>

The Series 236's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 314's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by watercolourists and oil portraiture More Info >>

The Red Dot Angulars are excellent for 'cutting-in' to your work. For Oil painters, this could be when a fine edge is required. For watercolourists, if may be to flood the paper and then bring it to More Info >>

The Red Dot Combers are excellent for hair, fur, grasses and smoothing out a sharp edge. A favourite for figurative oil painters on the longer handle, and watercolour landscape painters on the More Info >>

The Red Dot Fans are excellent for softening and blending edge work. Portraiture painters love them, as do More Info >>