Acrylic Brushes

We know it can be a challenge 'guessing' what to buy when you are just starting out and so we've done that bit for you! Ideal for any medium, this beautiful set will get you started at a very More Info >>

Our Set 25 is made with 100% synthetic fibres that allow superb snap, spring and retention. They are 100% Vegan Friendly. The Set 25 consists of 7 of our most popular synthetic rounds sizes, all on More Info >>

The Set 45 contains 16 brushes from various ranges to help you achieve landscapes, foliage, trees, grasses and so forth. It's very popular as a go-to landscape set. We also offer the Set 45 More Info >>

By popular request, this set is an excellent top-up to the Set 45. We have found that the brushes within this set wear down quicker than some of the others, and at times it’s easier to just replace More Info >>

Our Set 100 is perfect for Acrylic painters. Consisting of 8 of our most popular brush shapes and sizes from the Shiraz range, this synthetic set will be ideal for people starting out and More Info >>

The Set 125 consists of the 7 most popular shapes in the 'Ivory' range, on long handles in this set. The Ivory are our most popular synthetic range for Oils. They come in lots of shapes and sizes, More Info >>

Consisting of 10 of the most popular shapes from our synthetic ‘Eclipse’ range, this set is designed for oils and acrylics on long handles. Available on standard handles by More Info >>

This set consists of 9 popular shapes and sizes from the Evergreen range. They are 100% synthetic and More Info >>

The points are sharp and tapered beautifully to hold just the right amount of liquid allowing for a full wash right down to a fine More Info >>

Our Series 230 is an extra fine detail brush, only available in the size 10/0 and on the short handle for balance More Info >>

The Series 309 Swordliner's are a popular shape for even lines.  The swordliner shape is perhaps more versatile than a rigger (For example our Series 315's) when a steady hand is hard to More Info >>

When this brush is wet with water it will 'spike' for brilliant grass effects, or for hair. If you worked this brush semi-dry it will create easy tree More Info >>

The Series 313 is our offering of a student quality synthetic range. They are on a black and white handle, which make them easy to identify amoungst your other More Info >>

The Series 312 are perfect for clouds, backgrounds washes and tree canopies. A favourite for landscapes, botanical and floral work and large washes, without a hard More Info >>

The Series 304 will help you loosen up your work, whilst retaining a beautiful tapered point. They have an excellent carrying capacity of both pigment and water, and are have much more spring than More Info >>

The Series 311's are great for side loading and shading. They are perfect for intricate flower and petal work too. Folk art and barge painters adore this More Info >>

The 222's are one of our most popular brushes for backgrounds, washes, varnishing, glaszing, decoupage and covering large surfaces. They have a superb chisel edge and in the words of our good friend More Info >>

As requested by artists to flow even further than the Series More Info >>

Designed by Paul Weaver. Although a large brush we have tapered this down to an extreme point. Capable of large washes yet, the fine point allows the most finest detail. Designed to be used with More Info >>

The Series 2230's quirky head shape allows a much more open, seperated stroke and is a much stronger in construction to the Series 2250 or Series 2240  as those ranges may clog up in Oils and More Info >>

Our comber brushes (sometimes called rakes) are popular with many artists for creating quick and easy lines, closely together. Although the 2240's are very made very similarly to our Series More Info >>

The Series 2250's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 305 have a flat body which comes together in the centre to a point.  Excellent for foliage, petals and More Info >>

The Evergreen Angulars have a chiselled edge creating a great drawing tool with a difference from the More Info >>

"The Evergreen Daggers are flexible enough to give you a really wide vocabulary when it comes to brush calligraphy and mark making, but it also has the body to load the paint in the way you want - More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

By popular request, we made the longer filberts for artists' who want a looser brush More Info >>

With it's soft round edges filberts are particularly effective for blending oil and popular with Figurative More Info >>

For the finest of lines, holding a great amount of paint and distributing it evening, with a point. The Evergreen riggers have a fantastic 'snap' which gives you control when More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

By popular request, we have made an Extra Long Flat in the Evergreens. This should allow you to keep paint further away from the ferrule and allow a great leverage with your brush More Info >>

The Evergreen Short Flat allows for a sharper and more precise edge than the Evergreen Long Flat, yet is a softer synthetic which makes a more delicate mark than an Ivory Short More Info >>

The Evergreen range are 100% Synthetic, Vegan More Info >>

The Set 175 are 100% Synthetic and Vegan Friendly. This brush set is ideal for Oil and Acrylics and is a great way to try out the Evergreen More Info >>

The Evergreen Long Flat allows for a precise chiseled edge, yet is a softer synthetic which makes a more delicate mark than an Ivory Long More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer details. They make excellent signature brushes More Info >>

The Shiraz Range are 100% synthetic and Vegan More Info >>

The Shiraz Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. They are also ideal for blocking in and More Info >>

The longer hair results in a loose brush with little "snap". Designed for oil and acrylics, yet works very well with More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" or "liner" More Info >>

A long sought solution to those unintended watercolor brush marks resulting from too much enthusiasm, haste or More Info >>

The Shiraz daggers are excellent for unique brush strokes. When loaded with paint, they are fun to twist and turn to create texture and organic strokes. When used on their edge, they make a wonderful More Info >>

Shiraz is an extremely versatile brush for use with any More Info >>

With a soft rounded edge the short filbert is suitable for intricate figurative work and More Info >>

The Shiraz filberts are a versatile shape, allowing for broad strokes and softening edges. Particularly useful for blending in figurative work, however can make beautiful petal shapes and More Info >>

The Series 141 is great for creating many unique marks and softening More Info >>

The Series 142 Domed Rounds are good for blending and stippling in oils and More Info >>

Designed specifically to tackle a large canvas or More Info >>

The Series 24's are a popular for backgrounds and More Info >>

Rosemary & Co Hog Domed Round Series 3077 is an economical softer bristle which is flexible when More Info >>

The Series 308 Long flat bristles allow for a full stroke. The Hog Bristle Long Flats are a very economical range, ideal for use with all mediums and popular for backgrounds and More Info >>

The Series 3099's are a good all-rounder! They are excellent in any medium; oils, acylics, watercolours & gouache to name a More Info >>

A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. This special "duster" has longer bristles than an average blender for greater More Info >>

A very economical brush range, ideal for use with all mediums and popular for backgrounds and blending. The oval end can be used to make both sweeping strokes but also fine lines when held More Info >>

The Ivory Angular is ideal for "cutting" in and out lines and flooding areas, filling corners and curved strokes. Popular for Portraiture and Floral painting in Oils More Info >>

It seems a long time ago I created the 'Ivory' range of brushes. Artists wanted an oil brush that retained it's shape, had just enough spring and were easy to clean..... oh and they had to last! Fast More Info >>

This range of Rosemary & Co Impasto brushes will allow for the technique of laying on paint or pigment thickly so it will stand out from the surface. The Ivory synthetics are easy to clean, More Info >>

The Ivory is synthetic bristle at its best, a cross between the feel of nylon and hog bristle. The oval end can be used to both make sweeping strokes but also fine lines when held vertically. The More Info >>

Thank you to David Leffel who suggested this addition to our range and who honorably carried out trials. The extra length allows a greater flow and of course, holds more More Info >>

The Long Flats (also known as Flats) allow for a longer, looser stroke. They have a sharp edge and allow you to fully load your brush. They carry a lot of paint, and the longer length of hair should More Info >>

Ideal for blocking in and impasto. These larger sizes are beautiful for covering a large More Info >>

The Ivory Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. They also make an excellent signature More Info >>

I wanted a brush that has the feel of a flat for laying in swathes of paint, but with slightly tapered fibers for getting a softer edge, the way you would with a More Info >>

By popular request, we have added the Angular shape to our best selling oil "fibre" - the Ivory line. For those who paint big! Fashioned on a black lacquered, Beaver Tail More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" of "liner" More Info >>

The Egbert is a filbert with extra long hair, this is a more traditional brush used by the Old Masters, typically for oil More Info >>

The dagger shape is for when a tighter mark is required, very More Info >>

Sword Liners are for fine lines and to draw or sweep across. The sharp working edge and needle point allows a broad stroke with an intricate More Info >>

The fan brushes use a special ferrule which spreads the hairs to form a fan shape. They are used for several effects including grasses, fur and often for More Info >>

The Series 301 work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

A square shaped head offering precise 'blocking' action; good for windows, walls, architecture and when a sharp edge is More Info >>

Our Series 303's are often referred to as a 'chisel' brush, with the longer length of head offering a firm stroke. This makes the Series 303's ideal for background washes, architecture and even More Info >>

The Series 310's head of the brush is formed at an acute angle offering easy control to cut in lines, make sweeping effects and go from finer the thicker strokes. You can draw very thin lines with More Info >>

The Series 307 are a spotter brush, which have a good 'stubby' point when short controlled strokes are More Info >>

The Series 344 are tapered to a fine point, which make them excellent for drawing, illustration, design & architecture and provide more flow than a standard round with the extended tip. We highly More Info >>

The Series 315's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 318's have a specially shaped triangular ferrule allows the synthetic to form a good point. When pressed to the paper, this brush creates a stunning petal More Info >>

The Series 236's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 314's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by watercolourists and oil portraiture More Info >>

The Eclipse Angulars are excellent when you need to cut in an edge. For example, petals and More Info >>

A wonderful brush for grasses, animal fur, feather details and to build up hair in human More Info >>

The new domed filberts are a welcome addition for portrait painters and figurative artists More Info >>

The Eclipse Extra Long Combers are ideal for the oil artist who likes a sharp edge and to build layers. These brushes taper to a fine line turned sideways. For those who loved the 'old' style More Info >>

Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for More Info >>

The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than More Info >>

This long filbert has extra length as requested, allowing more flexibility. It should also allow you to keep the paint away from the ferrule of the brush, which in theory should make it easier to More Info >>

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" or "liner" More Info >>

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The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail. They have a beautiful strong point for detail and drawing. They also make an excellent More Info >>

The oval end can be used to both make sweeping strokes but also fine lines when held More Info >>

By popular demand the beauty of this shape allows a fine line (without the tremble sometimes associated with a rigger) and amazing effects when twisted side to More Info >>

The Series 771's are a hidden gem and very popular amoungst oils, watercolour, gouache and acrylic More Info >>

The Series 721 are a Sable and Ox Ear Mix. They are used extensively by signwriters and yet popular with Watercolourists when a firm stroke is More Info >>

The Series 772 dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush is 'twisted' through the stroke you can see oriental grass appear as well More Info >>

The Series 769 One Stroke allows you to do what it says! One stroke - loaded with pigment. The longer length of brush head offers a good amount of liquid retention, with a nice sharp More Info >>

The Series 768 Short Flats (also known as brights) allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for "blocking-in" and More Info >>

This luxury wash brush works well for backgrounds and sharp edge work. The 1" is a firm favourite, though any size from the Series 767's are a treat! Please note beaver tail handle length: 1" - More Info >>

The Series 402 are tapered to a much longer and finer point allowing the artist to ‘draw’ with a brush. They are ideal for general watercolour work as well as botanical. The Red Sable Blends are More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer More Info >>

The Red Dot Angulars are excellent for 'cutting-in' to your work. For Oil painters, this could be when a fine edge is required. For watercolourists, if may be to flood the paper and then bring it to More Info >>

The Red Dot Combers are excellent for hair, fur, grass and smoothing out a sharp edge. A favourite for figurative oil painters on the longer handle, and watercolour landscape painters on the shorter More Info >>

The Red Dot Fans are excellent for softening and blending edge work. Portraiture painters love them, as do More Info >>

The Red Dot Long Pointed Filberts are excellent for botanical work, but not exclusively! This shape is a favourite for watercolourists, but we are confident lots of uses will be found with this More Info >>

The Pointed Round is a staple brush shape for any arsenal. We recommend a couple of sizes in this shape to ensure you've got an excellent drawing/signature brush amongst your More Info >>

The Red Dot Cats Tongue is a Short Filbert Shape. They are favoured by portrait and botanical painters More Info >>

The Red Dot Short Flats are perfect for short, sharp edge work. A favourite for architecture, landscapes and More Info >>

The Tisch Daggers are made from 100% Natural Bristle. They are scratchy and organic in their nature. This is the brush Andrew has designed, for an organic stroke. Should you wish for a sharper, More Info >>

Our range of extra long filberts offers the oil artist a naturally curved and interlocked top quality 'Chungking Bristle' More Info >>

The Series 2095 are a shorter round which allows for more precise strokes. Packed tightly in the ferrule, the belly of the brush is shorter and thus, so is the point, giving extra strength and More Info >>

Our Series 2045's are used by many Oil and Acrylic artists. This shape is typical of what the old masters would have used. The filbert allows a broad stroke without the harsh edge the flats may More Info >>

By request, we've designed a shorter filbert for more precision and control. When loaded up with paint they make really thick More Info >>

When too much paint has been distributed on the surface and then a fan brush has been used over the painted area, the fan brush can smear all the work and lower the intensity of the colors. This More Info >>

The longer hair results in a loose brush with less 'snap'. Once these are loaded up with paint you can make expressive, long sweeping marks without the need to reload. The leverage of the bristle More Info >>

The Series 2015 Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control than for example a synthetic brush. Ideal for blocking-in and impasto. The short More Info >>

Typically, the round brush in bristle would be used for drawing and blocking-in. Many of the Old Masters would have used this shape. Rounds are popular for landscapes, portraiture, still life and so More Info >>

The Series 2085 are a unique brush shape, which allows a looser more organic stroke. The length of this brush allows for precision, lines and flicks. Try one, it's a More Info >>

Variety of uses but particularly for 'cutting' colours in and out.  Beaver tail More Info >>

Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for blending. The drier the brush, the more 'splay' and More Info >>

The Series 2060 are placed on a beaver tail handle, making them extremely comfortable to More Info >>

The head on the Series 314's are short and formed at an acute angle offering easy control. When they are loaded with two colours can create fabulous More Info >>

The Eclipse Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and More Info >>

The Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. A shorter version of the flats for greater More Info >>

The Red Collection works beautifully in watercolour, oil, water-mixable oils, gouache & acrylic - in fact all mediums. Ideal for artists, model painters and just about anyone look for a sable More Info >>

The Red Dot Designers are slightly longer and thinner than the regular Pointed Rounds. They hold their point, carry a lot of pigment and have a great More Info >>

The Red Dot One Stoke/Long Flats are excellent for covering large surfaces, whilst keeping a chiselled More Info >>

The Red Dot Sword Liners hold lots of liquid to draw a fine line when a steady hand is hard to More Info >>

The Red Dot Riggers are excellent for thin, fine lines. The rigger is also known as a 'script' brush and allows for a continual flow of pigment or water, with that needle More Info >>

A synthetic fibre to replicate Sable like never More Info >>

The Red Dot Micro brushes work beautifully in watercolour, oil & acrylic and infact all More Info >>

This 24" handled brush is ideal for those standing back from the canvas and painting. Typically used for the initial drawing and observations. Ideal for oil More Info >>

The Ivory Range are 100% Synthetic and Vegan Friendly. They are great for Oils, Gouache, Acrylics and Watermixable More Info >>

The Ivory Short Flat on 24" handle is ideal for those standing back from the canvas and painting. Typically used for the initial drawing and observations. Ideal for oil More Info >>

The Ivory Filbert on 24" handle is ideal for those standing back from the canvas and painting. Typically used for the initial drawing and observations. Ideal for oil More Info >>

The Ivory Range are 100% Synthetic and Vegan Friendly. They are great for Oils, Gouache, Acrylics and Watermixable More Info >>

The Set 65 is proving to be a popular set here at Rosemary & Co. We have carefully hand-selected an introductory set of brushes from our new Red Dot Collection. A synthetic fibre to replicate More Info >>

We have selected our most popular shapes and sizes from our new Red Dot Collection for this new Set 75. Ideal for artists, model painters and just about anyone look for a sable substitute. Vegan More Info >>

Michael Klein is part of a group of American artists leading the revival of representational painting hearkrning back to the Renaissance and French Academic More Info >>

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"I love to use my Rosemary brushes because they are made by hand with LOVE and are the finest quality in the world. I don’t have to worry about bristles breaking or shedding and the range of sables More Info >>

Introducing our new flat hakes mounted on a beavertail plain wood handle. Combining the finest goat hair and synthetic fibres creates a beautifully balanced brush for all mediums. An ideal brush for More Info >>

Joe Paquet was born and raised in New Jersey, USA and graduated with a BFA from School of Visual Arts in New York afterwards studying the Prismatic Palette for four years with John Phillip More Info >>

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We are excited to launch our Ivory range ' En Plein Air ' with non reflective ferrules. For those outdoor artists who suffer the glare of the sun shining on the regular ferrules, these new black More Info >>

We are excited to launch our Ivory range ' En Plein Air ' with non reflective ferrules. For those outdoor artists who suffer the glare of the sun shining on the regular ferrules, these new black More Info >>

We are excited to launch our Ivory range ' En Plein Air ' with non reflective ferrules. For those outdoor artists who suffer the glare of the sun shining on the regular ferrules, these new black More Info >>

We are excited to launch our Ivory range ' En Plein Air ' with non reflective ferrules. For those outdoor artists who suffer the glare of the sun shining on the regular ferrules, these new black More Info >>

We are excited to launch our Ivory range ' En Plein Air ' with non reflective ferrules. For those outdoor artists who suffer the glare of the sun shining on the regular ferrules, these new black More Info >>

We are excited to launch our Ivory range ' En Plein Air ' with non reflective ferrules. For those outdoor artists who suffer the glare of the sun shining on the regular ferrules, these new black More Info >>

We are excited to launch our Ivory range ' En Plein Air ' with non reflective ferrules. For those outdoor artists who suffer the glare of the sun shining on the regular ferrules, these new black More Info >>