Watercolour Brushes

This range of micro sables is formed to a beautiful ‘tight’ point for precision work. Ideal for miniaturists & model painters as well as botanical More Info >>

The Series 98. Pure Sable Pointed Rounds are offered on a triangular shaped More Info >>

A Sable brush, without a More Info >>

The Series 101 have proved popular with our customers, for example with arthritis and those who found holding a brush for a length of time uncomfortable. An added bonus is they don't roll off the More Info >>

    The Series 7350 Pure Sable Filbert will come to a beautiful point when wet enabling strokes from the point, side edge or flat side of the brush. Perfect for skies and More Info >>

Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for More Info >>

A favourite in ceramics for dusting and glazing. However, in more recent times we have seen more Oil painters enjoy this range as a very soft and delicate blending brush. We recommend using this More Info >>

The Series 108's are made from goat hair which is soft and is typically ideal for washes and More Info >>

White goat hair offers a huge liquid carrying capacity for watercolour washes. The Series 882 are perfect for 'knocking' back edges in oils and blending. They are also an ideal cleaning brush for More Info >>

The Series 502 is a white Nylon tightly packed into the ferrule. They are 100% Synthetic and Vegan More Info >>

Designed for Japanese and Chinese style painting and calligraphy. Manufactured in the typical Japanese way, using mainly soft goat or wolf hair centered surrounded by a mix of Sable/Pony and dyed to More Info >>

The Series 55 is a flat, chisel shaped brush which comes to a razor edge for long, controlled brush strokes. They are great for washes, skies and architectural More Info >>

Sometimes referred to as 'cats tongue' or 'petal brush' due to the immediate mark this shape of head makes.  A favourite with botanical artists and More Info >>

The Series 60 Sword Liner is also called a 'liner' or 'sword'. They are fashioned at an angle and extruded to a slim point for lining, offering continuous flow due to a magnificent water holding More Info >>

The comber is also known as a 'Rake’.  They produce instant grasses, fur and feathers and are a nice addition to your More Info >>

The Series 52 are perfect for blending and softening edges in oils and offer special effects in More Info >>

Designed and requested by you the artist.  For those who find a standard rigger difficult to control this offers and slightly shorter More Info >>

The Series 11 was created by talking to several professional artists who needed a brush with a tapered point and a flat More Info >>

A full bodied wide Pure Kolinsky coming to a fine point.  For broad strokes and yet perfect detail from the point.  The ultimate brush for washes and background.  The tip has such a More Info >>

An unusual brush often called a 'needlepoint' or 'lizards lick'.  A round body with a rigger protruding from the centre.  This allows a reservoir of water to flow through a long tapered More Info >>

The R1 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R2 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R4 is made from our new Red Dot Collection (which are a synthetic Kolinsky Sable) One Stroke range which makes them 100% Synthetic and Vegan friendly. This brush is a size More Info >>

The R6 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R7 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R10 is made from the Golden Synthetic Series 344's. They are 100% Synthetic and Vegan Friendly. This brush is a size More Info >>

Made from our 100% Synthetic watercolour range, Snowdrop. They are 100% Vegan Friendly. The R23 is a size More Info >>

Gilders tip - As the name suggests used by gilders to lift the gold leaf and place it on to the finished More Info >>

The Series 172's are constructed in the classical way, wire bound and mounted on black lacquered wood handles. The balance is More Info >>

This beautiful Squirrel blended brush has been created by Jean & Rosemary working together to achieve a wonderful result. Everything has been taken in to consideration to make a mop which points, More Info >>

Having listened to renowned watercolourist Sandra Strohschein we have created a beautiful extended point brush. This acts as a rigger but with a reservoir 'belly' to enable the retention of a good More Info >>

The thin, sharp edge of the Series 39 is perfect for thin, fine lines. When used on their side, they create a broad More Info >>

The Series 41 is popular for loose style work and 'wet on wet'. They have a flat body with good density of hair acting as a great reservoir. The tip is beautiful for details but when pressure is More Info >>

We've introduced a new Squirrel Blend to our ranges this Summer. The Series 38 Pointed Oval Wash is a blend of Squirrel hair and Synthetic fibres, giving what we believe to be the best of both More Info >>

The Series 43 is a visibly short hair which makes this range soft and delicate. This range is handy for control in smaller areas where minimum paint distribution is More Info >>

The points are sharp and tapered beautifully to hold just the right amount of liquid allowing for a full wash right down to a fine More Info >>

A favourite for drawing, architrcture and illustration. They allow a tight stroke, whilst also carrying enough pigment to flow the paint for More Info >>

The Vladislav Yeliseyev Swordliner is made from the new Snowdrop range. They are 100% Synthetic & Vegan More Info >>

Our Series 230 is an extra fine detail brush, only available in the size 10/0 and on the short handle for balance More Info >>

The Series 235 is designed to hold good amounts of liquid for washes and also double-up as a good synthetic stippler to create foliage and shrubbery More Info >>

The Series 309 Swordliner's are a popular shape for even lines.  The swordliner shape is perhaps more versatile than a rigger (For example our Series 315's) when a steady hand is hard to More Info >>

The Series 241 is a beautiful 2" in width Golden Taklon full bodied, flat edged brush. They are ideal for a watercolour wash and yet when used on the edge are great for creating More Info >>

When this brush is wet with water it will 'spike' for brilliant grass effects, or for hair. If you worked this brush semi-dry it will create easy tree More Info >>

The Series 313 is our offering of a student quality synthetic range. They are on a black and white handle, which make them easy to identify amoungst your other More Info >>

The Series 312 are perfect for clouds, backgrounds washes and tree canopies. A favourite for landscapes, botanical and floral work and large washes, without a hard More Info >>

The Series 311's are great for side loading and shading. They are perfect for intricate flower and petal work too. Folk art and barge painters adore this More Info >>

The 222's are one of our most popular brushes for backgrounds, washes, varnishing, glaszing, decoupage and covering large surfaces. They have a superb chisel edge and in the words of our good friend More Info >>

As requested by artists to flow even further than the Series More Info >>

Designed by Paul Weaver. Although a large brush we have tapered this down to an extreme point. Capable of large washes yet, the fine point allows the most finest detail. Designed to be used with More Info >>

The extra tip allows exact detail whilst the typical belly of Kolinsky hair enables fluid carrying capacity like no More Info >>

A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more control. The More Info >>

We believe we've ticked all the boxes for one of the world's leading watercolourists. We can't guarantee you will paint like Vladislav but we can at least offer you 'his' More Info >>

The Pointed Round brushes needed to have enough liquid holding capacity for Vladislav's style of work and possess spring and of course a beautiful taper and More Info >>

Our Series 303's are often referred to as a 'chisel' brush, with the longer length of head offering a firm stroke. This makes the Series 303's ideal for background washes, architecture and even More Info >>

The Series 236's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 314's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by watercolourists and oil portraiture More Info >>

The Series 721 are a Sable and Ox Ear Mix. They are used extensively by signwriters and yet popular with Watercolourists when a firm stroke is More Info >>

The Series 769 One Stroke allows you to do what it says! One stroke - loaded with pigment. The longer length of brush head offers a good amount of liquid retention, with a nice sharp More Info >>

This luxury wash brush works well for backgrounds and sharp edge work. The 1" is a firm favourite, though any size from the Series 767's are a treat! Please note beaver tail handle length: 1" - More Info >>

The Red Dot Angulars are excellent for 'cutting-in' to your work. For Oil painters, this could be when a fine edge is required. For watercolourists, if may be to flood the paper and then bring it to More Info >>