Watercolour Brushes

This range of micro sables is formed to a beautiful ‘tight’ point for precision work. Ideal for miniaturists & model painters as well as botanical More Info >>

Tiny tufts of hair tapered to a fine point, for retouching and fine More Info >>

The Red Sable Extended points, sometimes called a reservoir brush because of its capability to hold an immense amount of water. The centre made from pure sable which acts as a precise rigger with the More Info >>

The Series 98. Pure Sable Pointed Rounds are offered on a triangular shaped More Info >>

A Sable brush, without a More Info >>

The Series 78 brush head is formed to an acute angle which is perfect for "cutting" in effects. The Pure Sable ensures a great carrying capacity with an extremely fine edge for More Info >>

The Series 90 was designed with signwriters and calligraphers in mind, but popular with watercolourists who paint architecture and More Info >>

The oval end of the Series 91 can be used to both make sweeping strokes but also fine lines when held vertically. Also known as a "cat's tongue", these brushes have a beautiful point which allows for More Info >>

The Series 88 rigger shape is similar to a Pointed Round, but with much longer hair, also referred to as a "script" or a "liner" brush. These are ideal for long, continuous strokes and have a large More Info >>

A favourite for botanical artists but worth trying if you like experimenting. The point may appear shorter, but they are still super More Info >>

We designed The Pure Sable Domed Filbert Series 81's with the oil artist in mind who requires a 'fuller' body to a filbert and a nice domed shaped head rather than the 'cats tongue' style which tends More Info >>

The Series 101 have proved popular with our customers, for example with arthritis and those who found holding a brush for a length of time uncomfortable. An added bonus is they don't roll off the More Info >>

The Series 7320 is a flat, chisel shaped brush also known as a 'one stroke', simply because you can achieve your mark in one stroke - hence the More Info >>

    The Series 7350 Pure Sable Filbert will come to a beautiful point when wet enabling strokes from the point, side edge or flat side of the brush. Perfect for skies and More Info >>

Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for More Info >>

The Series 77 Short Flats are also known as "brights" allow a much sturdier brush with a stronger "snap" creating sharper edges and control. They are also ideal for "blocking in", larger washes More Info >>

A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more More Info >>

A favourite in ceramics for dusting and glazing. However, in more recent times we have seen more Oil painters enjoy this range as a very soft and delicate blending brush. We recommend using this More Info >>

The Series 107 is a large round full-bodied domed end with a great water or pigment carrying capacity for washes and backgrounds in watercolours but also blending in Oils and More Info >>

The Series 108's are made from goat hair which is soft and is typically ideal for washes and More Info >>

You can use the Series 108 in Oils and Acrylics for blending and knocking back edge More Info >>

A soft flat style brush for background washes and 'wet on wet'.  Ideal for glazing and fine More Info >>

White goat hair offers a huge liquid carrying capacity for watercolour washes. The Series 882 are perfect for 'knocking' back edges in oils and blending. They are also an ideal cleaning brush for More Info >>

The Series 888 Hake is made with a ferrule and our traditional black handle. Ideal for washes and blending both in Oils and More Info >>

They are used for antiquing, cleaning off overspray, crazing, stippling, dry brushing and fabric painting. More Info >>

The Series 502 is a white Nylon tightly packed into the ferrule. They are 100% Synthetic and Vegan More Info >>

Designed for Japanese and Chinese style painting and calligraphy. Manufactured in the typical Japanese way, using mainly soft goat or wolf hair centered surrounded by a mix of Sable/Pony and dyed to More Info >>

Our Series 33's are one of the most popular watercolour brush we make. They are a great all-rounder; with an excellent point, and great pigment and water carrying capacity. We describe them as the More Info >>

Takes on the name 'designer' due to it being widely used by leading Design Departments in Film, Graphics and Illustration. A beautiful tapered sharp point, somewhat longer and slimmer than Series 33. More Info >>

The Series 55 is a flat, chisel shaped brush which comes to a razor edge for long, controlled brush strokes. They are great for washes, skies and architectural More Info >>

I have been making this style of brush for many years, the name 'Mop' usually implies large dense brush for applying a wash but I believe my Kolinsky Sable Mops are much more than this! More Info >>

Sometimes referred to as 'cats tongue' or 'petal brush' due to the immediate mark this shape of head makes.  A favourite with botanical artists and More Info >>

The Series 60 Sword Liner is also called a 'liner' or 'sword'. They are fashioned at an angle and extruded to a slim point for lining, offering continuous flow due to a magnificent water holding More Info >>

The comber is also known as a 'Rake’.  They produce instant grasses, fur and feathers and are a nice addition to your More Info >>

The Series 52 are perfect for blending and softening edges in oils and offer special effects in More Info >>

Another beautiful addition to our Kolinsky Sable range. Forms a precise tapered point for 'drawing' and flow whilst having the 'belly' in just the right place to carry liquid elegantly. The length of More Info >>

The Series 11 was created by talking to several professional artists who needed a brush with a tapered point and a flat More Info >>

A full bodied wide Pure Kolinsky coming to a fine point.  For broad strokes and yet perfect detail from the point.  The ultimate brush for washes and background.  The tip has such a More Info >>

An unusual brush often called a 'needlepoint' or 'lizards lick'.  A round body with a rigger protruding from the centre.  This allows a reservoir of water to flow through a long tapered More Info >>

As the name suggests, ideal for long lines and the 'rigging' on ships giving an even More Info >>

The Series 323 Spotters are a favourite amoungst botanical painters. The shorter tip and thicker belly of the brush creates beautiful petals, stems and More Info >>

The R0 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R1 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R2 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R3 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R4 is made from our new Red Dot Collection (which are a synthetic Kolinsky Sable) One Stroke range which makes them 100% Synthetic and Vegan friendly. This brush is a size More Info >>

The R5 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R6 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R7 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R9 is made from the Pure Squirrel Hair Series 42's. This hair is soft and silky forming a beautiful tapered point. The R9 is a size More Info >>

The R10 is made from the Golden Synthetic Series 344's. They are 100% Synthetic and Vegan Friendly. This brush is a size More Info >>

The Series 42 off a beautiful tapered point for Watercolours, glass and silk. The larger sizes make an ideal wash brush yet still gold an excellent More Info >>

The R12's are made from our Series 772's. The Series 772 dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush is 'twisted' through the stroke More Info >>

The R13 is a size 8 from the Red Sable Blend Designer Pointed Round. The Series 402 are tapered to a much longer and finer point allowing the artist to ‘draw’ with a brush. They are ideal for More Info >>

The R16's are made from our Series 772's. The Series 772 dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush is 'twisted' through the stroke More Info >>

The R20 is made from our Red Dot Collection Short Flats. They work beautifully in watercolour, oil & acrylic and infact all mediums. The Red Dot Collection are 100% Synthetic and Vegan friendly. More Info >>

Made from our 100% Synthetic watercolour range, Snowdrop. They are 100% Vegan Friendly. The R23 is a size More Info >>

The Eradicators are 100% Synthetic and Vegan More Info >>

Gilders tip - As the name suggests used by gilders to lift the gold leaf and place it on to the finished More Info >>

The Series 172's are constructed in the classical way, wire bound and mounted on black lacquered wood handles. The balance is More Info >>

The Series 170 offers a massive liquid carrying capacity and must be thoroughly wet to work. They are also popular for Chinese More Info >>

This beautiful Squirrel blended brush has been created by Jean & Rosemary working together to achieve a wonderful result. Everything has been taken in to consideration to make a mop which points, More Info >>

Having listened to renowned watercolourist Sandra Strohschein we have created a beautiful extended point brush. This acts as a rigger but with a reservoir 'belly' to enable the retention of a good More Info >>

The thin, sharp edge of the Series 39 is perfect for thin, fine lines. When used on their side, they create a broad More Info >>

The Series 40 is a squirrel mixed with a little magic – which carries a good amount of fluid allowing plenty of flow. A flick of the brush will create many different More Info >>

The Series 41 is popular for loose style work and 'wet on wet'. They have a flat body with good density of hair acting as a great reservoir. The tip is beautiful for details but when pressure is More Info >>

We've introduced a new Squirrel Blend to our ranges this Summer. The Series 38 Pointed Oval Wash is a blend of Squirrel hair and Synthetic fibres, giving what we believe to be the best of both More Info >>

The Series 43 is a visibly short hair which makes this range soft and delicate. This range is handy for control in smaller areas where minimum paint distribution is More Info >>

The Series 48 are ideal in watercolour for washes and loose expressive work. They offer a fine, soft silky touch making them an ideal choice for dusting, fine lacquer and both large and small More Info >>

The points are sharp and tapered beautifully to hold just the right amount of liquid allowing for a full wash right down to a fine More Info >>

A favourite for drawing, architrcture and illustration. They allow a tight stroke, whilst also carrying enough pigment to flow the paint for More Info >>

Our Series 230 is an extra fine detail brush, only available in the size 10/0 and on the short handle for balance More Info >>

The Series 235 is designed to hold good amounts of liquid for washes and also double-up as a good synthetic stippler to create foliage and shrubbery More Info >>

The Series 309 Swordliner's are a popular shape for even lines.  The swordliner shape is perhaps more versatile than a rigger (For example our Series 315's) when a steady hand is hard to More Info >>

The Series 241 is a beautiful 2" in width Golden Taklon full bodied, flat edged brush. They are ideal for a watercolour wash and yet when used on the edge are great for creating More Info >>

When this brush is wet with water it will 'spike' for brilliant grass effects, or for hair. If you worked this brush semi-dry it will create easy tree More Info >>

The Series 313 is our offering of a student quality synthetic range. They are on a black and white handle, which make them easy to identify amoungst your other More Info >>

The Series 312 are perfect for clouds, backgrounds washes and tree canopies. A favourite for landscapes, botanical and floral work and large washes, without a hard More Info >>

The Series 304 will help you loosen up your work, whilst retaining a beautiful tapered point. They have an excellent carrying capacity of both pigment and water, and are have much more spring than More Info >>

The Series 311's are great for side loading and shading. They are perfect for intricate flower and petal work too. Folk art and barge painters adore this More Info >>

The 222's are one of our most popular brushes for backgrounds, washes, varnishing, glaszing, decoupage and covering large surfaces. They have a superb chisel edge and in the words of our good friend More Info >>

As requested by artists to flow even further than the Series More Info >>

Designed by Paul Weaver. Although a large brush we have tapered this down to an extreme point. Capable of large washes yet, the fine point allows the most finest detail. Designed to be used with More Info >>

The Series 2230's quirky head shape allows a much more open, seperated stroke and is a much stronger in construction to the Series 2250 or Series 2240  as those ranges may clog up in Oils and More Info >>

Our comber brushes (sometimes called rakes) are popular with many artists for creating quick and easy lines, closely together. Although the 2240's are very made very similarly to our Series More Info >>

The Series 2250's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 305 have a flat body which comes together in the centre to a point.  Excellent for foliage, petals and More Info >>

This is a Sable brush with unique properties which can be used a tool for painting winter and summer More Info >>

Our Series 32 is designed to simplify the art of painting trees and foliage; this special brush has just the right performance to deliver perfect tree foliage (also a good texture brush for shrubbery More Info >>

The extra tip allows exact detail whilst the typical belly of Kolinsky hair enables fluid carrying capacity like no More Info >>

Fashioned on a beautiful green 'thick' handle which is comfortable to hold, this little gem will be a favourite in your brush More Info >>

A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more control. The More Info >>

This selection of 4 brushes are excellent for Chinese painting and Calligraphy.  Manufactured in the typical Japanese way, the brushes are made with hairs primiarily from wolf/goat in the More Info >>

The Series 301 work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

A square shaped head offering precise 'blocking' action; good for windows, walls, architecture and when a sharp edge is More Info >>

Our Series 303's are often referred to as a 'chisel' brush, with the longer length of head offering a firm stroke. This makes the Series 303's ideal for background washes, architecture and even More Info >>

The Series 310's head of the brush is formed at an acute angle offering easy control to cut in lines, make sweeping effects and go from finer the thicker strokes. You can draw very thin lines with More Info >>

The Series 307 are a spotter brush, which have a good 'stubby' point when short controlled strokes are More Info >>

The Series 344 are tapered to a fine point, which make them excellent for drawing, illustration, design & architecture and provide more flow than a standard round with the extended tip. We highly More Info >>

The Series 315's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 318's have a specially shaped triangular ferrule allows the synthetic to form a good point. When pressed to the paper, this brush creates a stunning petal More Info >>

The Series 236's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by More Info >>

The Series 314's work well in Watercolours, Oils, Acrylics, Water mixable Oils & gouache though they are most favoured by watercolourists and oil portraiture More Info >>

Flat square brush head with shorter length of hair from the ferrule, allowing control of shorter strokes, ideal for 'blocking' e.g. windows and bricks.  A good blender for oil More Info >>

By popular demand the beauty of this shape allows a fine line (without the tremble sometimes associated with a rigger) and amazing effects when twisted side to More Info >>

The Series 771's are a hidden gem and very popular amoungst oils, watercolour, gouache and acrylic More Info >>

The Series 721 are a Sable and Ox Ear Mix. They are used extensively by signwriters and yet popular with Watercolourists when a firm stroke is More Info >>

The Series 772 dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush is 'twisted' through the stroke you can see oriental grass appear as well More Info >>

The Series 769 One Stroke allows you to do what it says! One stroke - loaded with pigment. The longer length of brush head offers a good amount of liquid retention, with a nice sharp More Info >>

The Series 768 Short Flats (also known as brights) allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for "blocking-in" and More Info >>

This luxury wash brush works well for backgrounds and sharp edge work. The 1" is a firm favourite, though any size from the Series 767's are a treat! Please note beaver tail handle length: 1" - More Info >>

The Series 402 are tapered to a much longer and finer point allowing the artist to ‘draw’ with a brush. They are ideal for general watercolour work as well as botanical. The Red Sable Blends are More Info >>

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer More Info >>

The Red Dot Angulars are excellent for 'cutting-in' to your work. For Oil painters, this could be when a fine edge is required. For watercolourists, if may be to flood the paper and then bring it to More Info >>

The Red Dot Combers are excellent for hair, fur, grasses and smoothing out a sharp edge. A favourite for figurative oil painters on the longer handle, and watercolour landscape painters on the More Info >>

The Red Dot Fans are excellent for softening and blending edge work. Portraiture painters love them, as do More Info >>

The Red Dot Long Pointed Filberts are excellent for botanical work, but not exclusively! This shape is a favourite for watercolourists, but we are confident lots of uses will be found with this More Info >>

The Pointed Round is a staple brush shape for any arsenal. We recommend a couple of sizes in this shape to ensure you've got an excellent drawing/signature brush amongst your More Info >>

The Red Dot Cats Tongue is a Short Filbert Shape. They are favoured by portrait and botanical painters More Info >>

The Red Dot Short Flats are perfect for short, sharp edge work. A favourite for architecture, landscapes and More Info >>

The head on the Series 314's are short and formed at an acute angle offering easy control. When they are loaded with two colours can create fabulous More Info >>

The Red Collection works beautifully in watercolour, oil, water-mixable oils, gouache & acrylic - infact all mediums. Ideal for artists, model painters and just about anyone look for a sable More Info >>

A beautiful Kolinsky Sable Size 10, an addition to Jean's collection. Tapered to a fine point with the liquid capacity expected from such an exquisite brush. Mounted on a lacquered black More Info >>

A beautiful Kolinsky Sable Size 12, an addition to Jean's collection. Tapered to a fine point with the liquid capacity expected from such an exquisite More Info >>

The Red Dot Daggers are excellent for thin fine lines, brush calligraphy and mark making, but wit the body of the brush for a broader More Info >>

The Red Dot Designers are slightly longer and thinner than the regular Pointed Rounds. They hold their point, carry a lot of pigment and have a great More Info >>

The Red Dot One Stoke/Long Flats are excellent for covering large surfaces, whilst keeping a chiselled More Info >>

The Red Dot Sword Liners hold lots of liquid to draw a fine line when a steady hand is hard to More Info >>

The Red Dot Riggers are excellent for thin, fine lines. The rigger is also known as a 'script' brush and allows for a continual flow of pigment or water, with that needle More Info >>

The Series 1582 has a long visible length of hair and a flat end, making this brush is ideal with Oils for softening or blending. More Info >>

Our Series 35 Deerfoot Stippler uses both soft and medium stiffness badger hair to enable a stipple effect, with a little goat hair to help hold the More Info >>

The Series 34 is a fine mix of coarse yet soft badger hair for stippling and texture More Info >>

This brush is mainly used for blending paint into an even and smooth coat. Although, they can be used to create striations - a glass painters 'must More Info >>

Typically used for oil painting, badger hair is coarse yet soft making it ideal for stippling and texture work. Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for More Info >>

A synthetic fibre to replicate Sable like never More Info >>

The Red Dot Micro brushes work beautifully in watercolour, oil & acrylic and infact all More Info >>

We did it! New for 2021! Finally, a synthetic fibre like no other. A synthetic fibre to replicate Sable like never before. With all the qualities of natural hair but 100% synthetic. This range is so More Info >>

The R11 is a size 10 from the Series 99 Pointed Pure Sable Round have a round ferrule and typically will come to a beautiful point. They are used to paint fine lines and More Info >>

The R9 is made from the Pure Squirrel Hair Series 42's. This hair is soft and silky forming a beautiful tapered point. The R9 is a size More Info >>