Watercolour Brushes

Tiny tufts of hair tapered to a fine point, for retouching and fine More Info >>

A Sable brush, without a More Info >>

The Series 78 brush head is formed to an acute angle which is perfect for "cutting" in effects. The Pure Sable ensures a great carrying capacity with an extremely fine edge for More Info >>

The Series 90 was designed with signwriters and calligraphers in mind, but popular with watercolourists who paint architecture and More Info >>

A favourite for botanical artists but worth trying if you like experimenting. The point may appear shorter, but they are still super More Info >>

A favourite in ceramics for dusting and glazing. However, in more recent times we have seen more Oil painters enjoy this range as a very soft and delicate blending brush. We recommend using this More Info >>

The Series 107 is a large round full-bodied domed end with a great water or pigment carrying capacity for washes and backgrounds in watercolours but also blending in Oils and More Info >>

You can use the Series 108 in Oils and Acrylics for blending and knocking back edge More Info >>

A soft flat style brush for background washes and 'wet on wet'.  Ideal for glazing and fine More Info >>

White goat hair offers a huge liquid carrying capacity for watercolour washes. The Series 882 are perfect for 'knocking' back edges in oils and blending. They are also an ideal cleaning brush for More Info >>

The Series 888 Hake is made with a ferrule and our traditional black handle. Ideal for washes and blending both in Oils and More Info >>

They are used for antiquing, cleaning off overspray, crazing, stippling, dry brushing and fabric painting. More Info >>

The Series 502 is a white Nylon tightly packed into the ferrule. They are 100% Synthetic and Vegan More Info >>

Designed for Japanese and Chinese style painting and calligraphy. Manufactured in the typical Japanese way, using mainly soft goat or wolf hair centered surrounded by a mix of Sable/Pony and dyed to More Info >>

I have been making this style of brush for many years, the name 'Mop' usually implies large dense brush for applying a wash but I believe my Kolinsky Sable Mops are much more than this! More Info >>

The comber is also known as a 'Rake’.  They produce instant grasses, fur and feathers and are a nice addition to your More Info >>

The Series 52 are perfect for blending and softening edges in oils and offer special effects in More Info >>

Another beautiful addition to our Kolinsky Sable range. Forms a precise tapered point for 'drawing' and flow whilst having the 'belly' in just the right place to carry liquid elegantly. The length of More Info >>

Designed and requested by you the artist.  For those who find a standard rigger difficult to control this offers and slightly shorter More Info >>

The Series 11 was created by talking to several professional artists who needed a brush with a tapered point and a flat More Info >>

A full bodied wide Pure Kolinsky coming to a fine point.  For broad strokes and yet perfect detail from the point.  The ultimate brush for washes and background.  The tip has such a More Info >>

An unusual brush often called a 'needlepoint' or 'lizards lick'.  A round body with a rigger protruding from the centre.  This allows a reservoir of water to flow through a long tapered More Info >>

As the name suggests, ideal for long lines and the 'rigging' on ships giving an even More Info >>

The R0 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R1 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R2 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R3 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R4 is made from our new Red Dot Collection (which are a synthetic Kolinsky Sable) One Stroke range which makes them 100% Synthetic and Vegan friendly. This brush is a size More Info >>

The R5 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R6 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R7 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R8 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R9 is made from the Pure Squirrel Hair Series 42's. This hair is soft and silky forming a beautiful tapered point. The R9 is a size More Info >>

The R10 is made from the Golden Synthetic Series 344's. They are 100% Synthetic and Vegan Friendly. This brush is a size More Info >>

The R16's are made from our Series 772's. The Series 772 dagger is very adaptable and can be used to create long flowing lines. When pressure is applied and the brush is 'twisted' through the stroke More Info >>

The R20 is made from our Red Dot Collection Short Flats. They work beautifully in watercolour, oil & acrylic and infact all mediums. The Red Dot Collection are 100% Synthetic and Vegan friendly. More Info >>

Made from our 100% Synthetic watercolour range, Snowdrop. They are 100% Vegan Friendly. The R23 is a size More Info >>

The Eradicators are 100% Synthetic and Vegan More Info >>

Gilders tip - As the name suggests used by gilders to lift the gold leaf and place it on to the finished More Info >>

The Series 172's are constructed in the classical way, wire bound and mounted on black lacquered wood handles. The balance is More Info >>

The Series 170 offers a massive liquid carrying capacity and must be thoroughly wet to work. They are also popular for Chinese More Info >>

Having listened to renowned watercolourist Sandra Strohschein we have created a beautiful extended point brush. This acts as a rigger but with a reservoir 'belly' to enable the retention of a good More Info >>

The thin, sharp edge of the Series 39 is perfect for thin, fine lines. When used on their side, they create a broad More Info >>

The Series 41 is popular for loose style work and 'wet on wet'. They have a flat body with good density of hair acting as a great reservoir. The tip is beautiful for details but when pressure is More Info >>

This beautiful brush is limited edition made with Pure Squirrel Hair. We have fashioned these on a special marble-effect handle - only available on the short handle. Although made with the More Info >>

We've introduced a new Squirrel Blend to our ranges this Summer. The Series 38 Pointed Oval Wash is a blend of Squirrel hair and Synthetic fibres, giving what we believe to be the best of both More Info >>

The Series 43 is a visibly short hair which makes this range soft and delicate. This range is handy for control in smaller areas where minimum paint distribution is More Info >>

The Series 48 are ideal in watercolour for washes and loose expressive work. They offer a fine, soft silky touch making them an ideal choice for dusting, fine lacquer and both large and small More Info >>

A favourite for drawing, architrcture and illustration. They allow a tight stroke, whilst also carrying enough pigment to flow the paint for More Info >>

The Vladislav Yeliseyev Swordliner is made from the new Snowdrop range. They are 100% Synthetic & Vegan More Info >>

Our Series 230 is an extra fine detail brush, only available in the size 10/0 and on the short handle for balance More Info >>

The Series 235 is designed to hold good amounts of liquid for washes and also double-up as a good synthetic stippler to create foliage and shrubbery More Info >>

The Series 309 Swordliner's are a popular shape for even lines.  The swordliner shape is perhaps more versatile than a rigger (For example our Series 315's) when a steady hand is hard to More Info >>

The Series 241 is a beautiful 2" in width Golden Taklon full bodied, flat edged brush. They are ideal for a watercolour wash and yet when used on the edge are great for creating More Info >>

When this brush is wet with water it will 'spike' for brilliant grass effects, or for hair. If you worked this brush semi-dry it will create easy tree More Info >>

The Series 313 is our offering of a student quality synthetic range. They are on a black and white handle, which make them easy to identify amoungst your other More Info >>

The Series 312 are perfect for clouds, backgrounds washes and tree canopies. A favourite for landscapes, botanical and floral work and large washes, without a hard More Info >>

The Series 304 will help you loosen up your work, whilst retaining a beautiful tapered point. They have an excellent carrying capacity of both pigment and water, and are have much more spring than More Info >>

Designed by Paul Weaver. Although a large brush we have tapered this down to an extreme point. Capable of large washes yet, the fine point allows the most finest detail. Designed to be used with More Info >>

This is a Sable brush with unique properties which can be used a tool for painting winter and summer More Info >>