Watercolour Brushes

This range of micro sables is formed to a beautiful ‘tight’ point for precision work. Ideal for miniaturists & model painters as well as botanical More Info >>

A Sable brush, without a More Info >>

The Series 78 brush head is formed to an acute angle which is perfect for "cutting" in effects. The Pure Sable ensures a great carrying capacity with an extremely fine edge for More Info >>

The Series 90 was designed with signwriters and calligraphers in mind, but popular with watercolourists who paint architecture and More Info >>

The oval end of the Series 91 can be used to both make sweeping strokes but also fine lines when held vertically. Also known as a "cat's tongue", these brushes have a beautiful point which allows for More Info >>

We designed The Pure Sable Domed Filbert Series 81's with the oil artist in mind who requires a 'fuller' body to a filbert and a nice domed shaped head rather than the 'cats tongue' style which tends More Info >>

The Series 101 have proved popular with our customers, for example with arthritis and those who found holding a brush for a length of time uncomfortable. An added bonus is they don't roll off the More Info >>

The Series 7320 is a flat, chisel shaped brush also known as a 'one stroke', simply because you can achieve your mark in one stroke - hence the More Info >>

    The Series 7350 Pure Sable Filbert will come to a beautiful point when wet enabling strokes from the point, side edge or flat side of the brush. Perfect for skies and More Info >>

Fan brushes use a special ferrule which spreads the hairs to form a fan shape. Used for several effects including grasses, fur and often for More Info >>

The Series 77 Short Flats are also known as "brights" allow a much sturdier brush with a stronger "snap" creating sharper edges and control. They are also ideal for "blocking in", larger washes More Info >>

A new range developed by Rosemary and C.W Mundy. These soft goat hair mop brushes are ideal for softening and blending in Oils. The oval shape of these brushes allows for more More Info >>

A favourite in ceramics for dusting and glazing. However, in more recent times we have seen more Oil painters enjoy this range as a very soft and delicate blending brush. We recommend using this More Info >>

The Series 107 is a large round full-bodied domed end with a great water or pigment carrying capacity for washes and backgrounds in watercolours but also blending in Oils and More Info >>

The Series 108's are made from goat hair which is soft and is typically ideal for washes and More Info >>

You can use the Series 108 in Oils and Acrylics for blending and knocking back edge More Info >>

A soft flat style brush for background washes and 'wet on wet'.  Ideal for glazing and fine More Info >>

White goat hair offers a huge liquid carrying capacity for watercolour washes. The Series 882 are perfect for 'knocking' back edges in oils and blending. They are also an ideal cleaning brush for More Info >>

The Series 888 Hake is made with a ferrule and our traditional black handle. Ideal for washes and blending both in Oils and More Info >>

They are used for antiquing, cleaning off overspray, crazing, stippling, dry brushing and fabric painting. More Info >>

The Series 502 is a white Nylon tightly packed into the ferrule. They are 100% Synthetic and Vegan More Info >>

Designed for Japanese and Chinese style painting and calligraphy. Manufactured in the typical Japanese way, using mainly soft goat or wolf hair centered surrounded by a mix of Sable/Pony and dyed to More Info >>

Our Series 33's are one of the most popular watercolour brush we make. They are a great all-rounder; with an excellent point, and great pigment and water carrying capacity. We describe them as the More Info >>

Takes on the name 'designer' due to it being widely used by leading Design Departments in Film, Graphics and Illustration. A beautiful tapered sharp point, somewhat longer and slimmer than Series 33. More Info >>

The Series 55 is a flat, chisel shaped brush which comes to a razor edge for long, controlled brush strokes. They are great for washes, skies and architectural More Info >>

I have been making this style of brush for many years, the name 'Mop' usually implies large dense brush for applying a wash but I believe my Kolinsky Sable Mops are much more than this! More Info >>

Sometimes referred to as 'cats tongue' or 'petal brush' due to the immediate mark this shape of head makes.  A favourite with botanical artists and More Info >>

The Series 60 Sword Liner is also called a 'liner' or 'sword'. They are fashioned at an angle and extruded to a slim point for lining, offering continuous flow due to a magnificent water holding More Info >>

The comber is also known as a 'Rake’.  They produce instant grasses, fur and feathers and are a nice addition to your More Info >>

The Series 52 are perfect for blending and softening edges in oils and offer special effects in More Info >>

Another beautiful addition to our Kolinsky Sable range. Forms a precise tapered point for 'drawing' and flow whilst having the 'belly' in just the right place to carry liquid elegantly. The length of More Info >>

Designed and requested by you the artist.  For those who find a standard rigger difficult to control this offers and slightly shorter More Info >>

The Series 11 was created by talking to several professional artists who needed a brush with a tapered point and a flat More Info >>

A full bodied wide Pure Kolinsky coming to a fine point.  For broad strokes and yet perfect detail from the point.  The ultimate brush for washes and background.  The tip has such a More Info >>

An unusual brush often called a 'needlepoint' or 'lizards lick'.  A round body with a rigger protruding from the centre.  This allows a reservoir of water to flow through a long tapered More Info >>

As the name suggests, ideal for long lines and the 'rigging' on ships giving an even More Info >>

The Series 323 Spotters are a favourite amoungst botanical painters. The shorter tip and thicker belly of the brush creates beautiful petals, stems and More Info >>

The R0 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R1 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>

The R2 is made from Pure Kolinsky Sable. Kolinsky Sable is the best hair available for the manufacture of artist brushes due to being conical in shape, strong in character with a long tapered point More Info >>